Gift | Music Video

There’s a local tavern with a long history. During the War for Independence it quartered Hessian troops, the commander of which — Count Carl von Donop — was infatuated with a “beautiful young widow” by the name of Betsy Ross (age 24).

Betsy, when she was not sewing flags for the Revolutionaries, applied her skills such that Count Dunop was “distracted” by her company on Christmas Eve, 1776.

She held him out of position that night, allowing George Washington’s significant victory a few miles north, in the Battle of Trenton. Von Donop’s desire to occupy her territory proved fatal to the British Empire’s ambitions to control the American Colonies.

Betsy entertained the Count at her place in Mount Holly, New Jersey, a few miles south of this very same tavern. Mount Holly is home to a fantastic start-up — Spellbound Brewing — which brings us full circle to Ken sitting beside me on a bar stool drinking Spellbound Porter as we talked politics, sports, and music.

Ken is almost done his doctoral dissertation in psychology, and despite off-hours, the psychologist’s lens is never really dormant. He turned to me, looking over the top of his spectacles: “Son,” he said, “when was the last time you actually played music?”

We’ve been friends since 7th grade.

“All work and no play makes Rick a dull boy,” he concluded.

“You have set yourself a huge first challenge, I’d say. An a-rhythmical lyric, with syntactical sense that spans multiple line ends, sung at the edges of your vocal range, against a rhythmic accompaniment where the melodic component is a textural combo of counterpoint, choppy guitar and an extended, almost freeform bass line. You know how to aim high, for certain.” (Gethyn)

“I like the minor second above the root in the melody on ‘mare’ and ‘feet’!” (Adam J. Wilson)

“Whoa. That’s a left turn!!! Hats off, Rick. That took a lot of guts. Is this gonna be a thing?” (Chris Buono)

“PISCES: You might feel yourself shying away from a situation, which is actually a good indicator that you should go forward instead. The only way to conquer fear is to let it dissipate through the action it was so afraid of.” (Holiday Mathis)

“Rick: Was not expecting this! Very different, love the vibe. Great recording…the tones of your guitars are so recognizable to my ears.” (Gabriel Levi)

“What’s amazing is how quickly you took this from concept to full realization. The tensions and resolutions and irresolutions (and ear resolutions!) really speak to the spirit of what we need as creative souls navigating our paths. Good to see you, too.” (Killick)

“So intense, it made me think of the writings of Emerson and Thoreau which always for me have a certain gravity and profound thoughtfulness about them, a timelessness.” (Will Pitt)

Goshawk | Jazz Guitar Today Magazine

Screen on my phone illuminated. Incoming call: Bob Bakert. Bob is editor of Jazz Guitar Today based in Atlanta, GA. The magazine features jazz scene and instruments more traditional than avant-garde, so it was a pleasant surprise when they decided to do a feature on Goshawk™ 6-string guitar. Ede Wright and Bob Bakert had connected locally, and Bob fell in love with Goshawk’s design.

Bob was calling to tell me the article had just been published.

He’s an interesting person, athletic, fit, intelligent, actively playing (and pursuing) all things guitar since the late 1960’s. Our conversation drifted — as it quickly does — into music tangents. He was still aglow from a recent compliment where a well-respected industry insider told Bob he is an excellent musician. What was especially interesting was the follow-up comment: “Musician, not guitar player. Those are two different things.”

Many of us who play tend to bring a set of patterns (musical or thought) to the guitar, then attempt to fit those into the current context, possibly contextually appropriate. Approaching guitar as a musician, instead of as a player, happens when we lead with our ear instead of our skill set.

This is something I have noticed as well, and mentioned recently in the video interview with Mike Dawes. The difference seems based on the ability to listen. Really listen.

Mind still, and present in the moment, as Buddha would say.

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IMAGE: Goshawk™ 6-string electric is featured in May 2019 issue of Jazz Guitar Today Magazine.

Goshawk | Dawes Goes Electric

Cradling a cup of coffee in my left hand, I sat at the kitchen counter as Steve Sjuggerud scrambled eggs. The lure of frying bacon would soon wake Mike Dawes — currently sleeping off a six hour time zone difference.

Steve was also simmering baked beans.

“Are beans a Southern breakfast specialty?” I asked. “I’ve had grits and gravy before…”

“Actually, they’re for Mike,” Steve replied. “I think the English like beans with breakfast.”

Photographer Adam King arrived, along with his cousin. “What’s with the beans?”

“They’re for Mike.”

Hoodie-draped Mike appeared, long pale arm extended. Grim Reaper seeks caffeine. “Why does everyone always make me beans at breakfast…?”

So, Mike’s Goshawk™ 6-string electric is nicknamed: Beanst.

Beast + Beans

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PHOTO: Mike Dawes with his Goshawk™ 6-string electric guitar. (Photo: Adam King)
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IMAGE: Mike Dawes on Instagram.
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PHOTO: Future stadium tours and Marshall stacks loom. Acoustic guitar virtuoso Mike Dawes has been corrupted by the lure of distortion and pinch harmonics… (Photo: Adam King)

NYSE | Steve Sjuggerud

The Yellow Cab Prius slotted itself into an imaginary third lane. Horns are a tool to open opportunities, and my taxi driver was clearing our path to Wall Street. Touching 60 mph down the next block, tires chirping as we came to a dead stop mid-intersection, inches from the box truck bumper in front of us.

“Unexpected,” he muttered.

Yesterday, Steve Sjuggerud rang the closing bell for the NYSE (New York Stock Exchange). He was also keynote speaker, presenting his film: New Money. I love Steve, and it was exciting to support him in his new venture, so lower Manhattan was the setting for our meeting this time.

Seven visible layers of security then an elevator ride, we stepped onto the trading floor.

Power is not a sufficient word, but is the precise word. Immersive powered electronic environment, labyrinthine, purposeful. On these screens, fortunes are made (and lost) in less than an instant. Capital from investors and central banks are injected into this abstract Darwinian metaphor, traded so fast that — even at the speed of light — proximity to the exchange matters, influencing real estate prices as companies compete to locate hardware closer to the NYSE.

The pulse of human ambition, the collective physical and intellectual labor of billions of people, flow through this space in fractional seconds.

Up in the balcony, Steve banged the iconic gavel and spontaneous cheers erupted around me as the trading day came to an end (Tuesday, April 16, 2019 @ 4 PM EST). Asia then Europe will carry things forward overnight then into tomorrow.

“Money flows to where it’s treated well.” (Steve Sjuggerud)

Later, at the reception, I balanced a small plate of exquisite medium rare porterhouse as Steve shared his initial impressions of the treble bleed capacitor on the wiring harness I’d sent him for testing. A few blocks away, Steve Blucher’s ears were no doubt tingling. Yes, talking guitars, Jack Ma and Warren Buffet looking on.

Just for a moment my concentration broke. An emotion, unfamiliar, a realization…an appreciation…as two worlds clicked together and I felt the course of this incredible journey in lutherie.

PS: Kind thank you to Steve Sjuggerud and his family (and staff).

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PHOTO: Rick Toone @ NYSE.
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PHOTO: CNBC Closing Bell market recap live broadcast. April 16, 2019.
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PHOTO: Jack Ma (Alibaba) dominates the wall of financial leaders. Warren Buffet (Berkshire Hathaway) lower right.
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PANORAMA: Floor of NYSE moments after Steve Sjuggerud rang the closing bell.
PHOTO: Commemorative NYSE coin given to visitors.

Spearfish | Moby Dick

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PHOTOS: Scrimshaw is the art of engraving the bone or tooth of a powerful animal. Spearfish™ 6-string guitar drives Yngwie Malmsteen’s original 1969 Marshall.
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PHOTOS: Perhaps no mammal will ever (can ever) be as powerful as Herman Melville’s great white whale, Moby Dick. Nature, embodied. All that is untamed. You can recite the litany, but still it will not end with simply facts: patent pending Element™ aircraft aluminum neck, stainless steel Intonation Cantilever™ patented bridges, exclusive DiMarzio™ pickups, carbon fiber, resonant swamp ash.
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