Tremolo
RICK TOONE ’67
IMAGE: RICK TOONE ’67 website.
RICK TOONE ’67 guitar is realization of a long-held dream. My personal interpretation of Leo’s iconic design, with radical new technology bringing it once again to the forefront of guitar innovation. Your best friend, but now so much better.
Light weight alder body with relic nitro finish. Nothing sounds quite like nitro. There is a difference. And those wear marks & dings invite you to come play. Every other aspect of the guitar is new and pristine. To me, the body is lovingly meant to take the knocks, but my hands want a perfect neck and fretwork.
Neck is quarter-sawn maple. Dunlop 6100 stainless steel frets. Gotoh light-weight vintage style locking tuners for fast string changes.
Steve Blucher and I traded the prototype guitar back and forth for most of a year, getting the pickups dialed in. There is historic precedent to the tone of this platform and it’s absolutely necessary to nail those classic frequencies. You expect this guitar design to sit perfectly in the mix, in that hallowed niche. It does. And thanks to Steve’s genius there is no single coil hum. Volume and tone controls are musically delightful throughout their entire range.
You probably want me to talk about the tremolo…
It’s a little bit like magic.
Hiya Rick! I’m Zack, the production manager of Rick Turner Guitars in Santa Cruz, California. We had a visit from Henry Kaiser yesterday with his new guitar from you. It’s always a pleasure when Henry comes by and he loves to share new gear and guitars with us. He was absolutely ecstatic about the vibrato on his RICK TOONE ’67 guitar, and I am too!
Your new trem is an extremely beautiful piece of musical guitar hardware. We at the shop were really taken with it. My compliments! I’ve never felt a vibrato unit with as nice of action, and amazing consistency of tuning and return. It’s very dynamic, and sounds wonderful.
And it has a super sharp look to it, clean lines. It’s a great look, visually refreshing. I’m a fan.
I’m looking forward to your plans with the unit! I think I’m forever spoiled on what a vibrato is capable of.
If you ever felt inclined to produce these as an OEM product, licensed or otherwise, I would certainly be curious about your plans. I’m grateful to have gotten to try the guitar. Thank you for investing your time and craft in developing such a musical unit. Cheers!
Zachary Jones (Production Manager @ Rick Turner Guitars)
Thank you, Zack. Thank you, Henry.
Rick Toone’s unique ‘67 tremolo can dive bomb like a Floyd Rose, stay in-tune better than anything else, and keep chords in-tune throughout the wide up and down range. For me, it’s the new standard for radically expressive trem playing. (Henry Kaiser)
White Pearl Skele
Killick is channeling broad influences even in this short piece. I hear shades of Jackson Pollock, Brian Eno, and David Lynch in a mesmerizing blend of creativity and spontaneity. Hats off to this moment of brilliance! (@ShinMadero via YouTube)
Live @ Triumph Brewing Company
Coastal air off the Atlantic seeps in under Sandy Hook, slyly flirting with Navesink River dampness, the extended New York metro tang of NJ Turnpike combustion and chemical refineries. Onshore, offshore. Giants to the north, Eagles to the south. Manhattan commuters. Money.
Chris Buono will flit through this mist, reaching up with (funk you) Jersey Attitude™ to grab Big Apple brass and polish it against shore prog rhythms. Triumph Brewing Company, Red Bank, New Jersey is our venue, as he prepares to take onstage residency for the next several months.
Risk is real…
He’s coming in cold, struggling—rehabilitating—excruciating left arm pain via pinched nerves in his spine. This band is total raw bar, two hours of rehearsal and digital chord charts as guidance through an improv jazz wilderness marshland.
Chris debuting two new guitars I built for him: his custom multiscale fretless “Fragile” and “Green Monster” who is also holding my tremolo. Cody McCorry is playing another build so fresh the finish is still drying: “Orchid” bass. New and unfamiliar instruments for both of these masterful players. And a chance to capture their sounds live, in the wild.
We are in this together. Tonight is opening night.
With the recording, I am seeking to capture the village vanguard intimacy of Bill Evans. Snapshot this moment. Band banter. Audience chatter, barstools and glasses. 1961 turns 2022. Killick Hinds beautifully brings his touch to the mixing and mastering. Deeply grateful we had this opportunity to work together.
Credits:
Chris Buono — music & guitar
Anibal Rojas — synth sax
Cody McCorry — bass
Faye Fadem — drums
Killick Hinds — mixing & mastering
Rick Toone — recording & production
“If I died right now I would want you to show the world ‘Raining Caterpillars’ and say this what I truly sounded like when I was dialed in. For that I’m indebted to you both.” (Chris Buono)