Orchid Guitar

PHOTO: Orchid headstock. Forged aircraft aluminum. Torrefied quartersawn maple. Ebony fretboard.

Hi Rick,

Many years ago we had chatted back and forth about guitar building. I didn’t have the opportunities to get into building my own creations the way I envisioned, but I still follow all the work you create. I’ve reached a stage in my life/career though where the possibility of obtaining one of your creations is within reach.

Your Orchid body shape has been one of my favorites since the first purple bass. I have been dreaming about almost this exact guitar and contemplating reaching out to you about the creation of a SSB Orchid Multiscale guitar for a few months now. To see this (Orchid 7-string) blows my mind, for me it exists in a way that feels like a future memory I’ve somehow tuned into.

Orchid design ideas:
A sense of age/wear (Shou Sugi Ban, old wood, wear patterns?)
Metal parts with patina, maybe even damascus (jack-plate, cavity cover, string anchor?)
Scar(s) from a repair (kintsugi, butterfly/bowtie, knot patch?)

Any other specs like wood types, details, pickup type, colors I’m happy to leave up to you. I trust in your craft and creativity, whatever speaks to you or works well together. I just wanted to lead with some potential ideas and concepts, and let you take it from there! The pickup choice in particular might be dictated by the acoustic qualities of the instrument. Totally happy to get more granular and add input or decisions as well if needed though, and if any of the design ideas are too abstract, let me know.

Really excited for this! (Jesse)

Rick!

The guitar has arrived and it is perhaps the most stunning thing I have ever seen! It’s at once everything I hoped it would be, and still uniquely surprising. There is no question that nothing else like it exists, I absolutely love it. First play through unplugged and it’s clear and effortless; this is really what I needed to help take my playing to a new level. More to come when I have a chance to plug in and crank it up. In due time I aim to be a lot more active on Instagram and YouTube sharing my exploration into new edges of guitar composition and sound.

I can’t thank you enough for this creation and I hope to do it justice. (Jesse)

PHOTO: Patented Intonation Cantilever™ bridges. Bare Knuckle custom pickups. Forged aircraft aluminum. Swamp Ash with traditional Shou sugi ban Japanese wood finish.

Listening

VIDEO: Gabriel Levi teaches his thumping right hand technique. Detailed tutorial with examples in the second half of the video, including some amazing maths. Gabriel begins with history of the technique, and how it has developed: crediting Evan Brewer and Tosin Abasi. We begin to realize music benefits with apprenticeship. Check out Gabriel’s new single “Disconnected” on Spotify featuring excellent guitar playing on his Spearfish.
IMAGE: Animals As Leaders new album Parrhesia. Tosin Abasi, Javier Reyes, and Matt Garstka are deep in John Coltrane headspace…eliciting “I didn’t know music could do that” response.

Joe Cirotti is another artist I have known for a long time, and one of my favorite guitarists. Watching him cut loose with a Strat and Marshall half stack fronting Only Living Boy a decade ago is an important memory. Currently Joe is leading his acoustic trio, conducting flat-picking magic on an old Martin. If you are a Radiohead fan…here is an absolutely gorgeous interpretation of Ok Computer.

VIDEO: Joe Cirotti Trio performs Radiohead’s Ok Computer via livestream November 14, 2021.

Focus Group

PHOTO: Adam J. Wilson plays his fretless Spearfish™ 6-string guitar. Chris Buono is also fretless in the background.

Saturday, I hosted Chris Buono and Adam J. Wilson for a focus group session. Our mission was to evaluate two current areas of research: multi-scale fretless design, and Pisces™ tremolo performance.

We tested both of Adam’s fretless Spearfish™ guitars plus Pisces™ prototype through an extensive array of tube and solid state amps plus modeling: Roland Jazz Chorus, Carr, Fender ’64 Deluxe, AxeFx II.

Not many people in the world play fretless guitar, let alone exceptionally well, nor do many people build fretless guitars, let alone exceptionally well. Today, I got to hang with both varieties. With all that’s going on in the world, this was a welcome respite. (Adam J. Wilson)

PHOTO: Chris Buono plays Pisces™ prototype 6-string tremolo guitar. Adam with his first Spearfish™ fretless in the background.

In addition to intensive discussion, I was treated to several hours of duets and solo improvisation. You are already well familiar with Chris Buono and his mastery of the instrument. Adam is similarly gifted, employing a fascinating two handed fretless tap technique. He makes fretless shredding look absolutely effortless…micro-tones, scales, harmonies: eight fingertips on the fingerboard is just so fast.

A meeting of like-minded fretless freaks is a rare thing. This was an immensely important day for me on many fronts and will surely change how I approach fretless guitar going forward. (Chris Buono)

I have some new ideas for how to improve fretless design. Fretless is a tiny niche market of players who are super skilled and super dedicated to the almost limitless possibilities of a life without speed bumps.

Imagine the virtuosity of a solo violinist yet with the added capability of harmony.

Glorious day of exploration and learning. Most importantly…it was so good to see old friends in person. Magic happens when we share a space and music together.

PHOTO: Adam J. Wilson and Chris Buono.

Polyphonic Guitar

VIDEO: Fabio Mittino explains polyphonic pickups then performs Toy Dreamer off his latest album (via livestream). Stealth™ radical ergonomic acoustic guitar. Lovely fingerstyle and ethereal sounds. Fabio has studied under Robert Fripp.

Serpentine Mind

VIDEO: Gabriel Levi performs his original: Serpentine Mind. Excellent vocals to accompany his playing on Spearfish™ 6-string guitar. Beautifully understated solo beginning at 2:30 mark.

Beneath the layers of upbeat major chord harmonies and deft pop production of a love song lies this image. Coiled, writhing. Existential terror as Emily Dickinson describes:

But never met this Fellow
Attended or alone
Without a tighter Breathing
And Zero at the Bone.

“Serpentine” combined with “mind” is especially horrifying. Reptilian non-negotiable predatory purpose superimposed on (dwelling within) mammalian skull, our locus of empathetic warmth and compassion.

Excellent writing, Gabriel.

Throughout our evolution, what is the one predator from which there is no escape? The one predator capable of silently killing, even when we are hiding in treetops for safety, seeking protection from larger carnivores below?

Snake.

I want to propose an hypothesis.

The hypothesis is this: crowd-sourcing safety is the evolutionary driver for language.

Let’s step back 2 million years for context. Fight, flight, freeze, fuck. Our basic survival responses to new external stimulus. Fight (including hunting), flight, and freeze are physical movements under the control of each individual. Fuck — sexual reproduction — is coordinated and negotiated chemically via pheromones.

None of these responses require vocalization.

However, what would? Two million years ago, what would be the single most useful tool to ensure our species survival?

“There’s a snake on the branch above you.”

The ability to transmit instantly an image directly from mind to mind using sound waves.

There is a multiplier effect when suddenly ten individuals with twenty eyes and twenty eardrums are coordinating information from ten locations and perspectives. Incredibly powerful survival mechanism. This is what drives the evolution of language.

Once Homo became fully erect and disconnected diaphragm control from breathing, our ability to develop complex nuanced language evolved exponentially. We now use and practice language as play, enriching our experiences across the entire spectrum of human activities.

However, the fundamental purpose underlying all linguistic development remains: safety.

I want to propose a second hypothesis.

Freedom of Speech is not only a moral right, Freedom of Speech is a biological imperative essential for human survival. Surrender that right at your peril.

When considered at the level of DNA replication and generational transference, all speech is useful, and all thoughts are useful. This is our species-wide survival mechanism of individuals broadcasting their unique perspective from their location. And as individuals, we assess the relative accuracy and urgency of that raw incoming data from other people…

Consensus is not analogous to safety, at any scale. Autonomy is an evolutionary failsafe.

IMAGE: Support Gabriel Levi on Spotify.