Goshawk | Jazz Guitar Today Magazine

Screen on my phone illuminated. Incoming call: Bob Bakert. Bob is editor of Jazz Guitar Today based in Atlanta, GA. The magazine features jazz scene and instruments more traditional than avant-garde, so it was a pleasant surprise when they decided to do a feature on Goshawk™ 6-string guitar. Ede Wright and Bob Bakert had connected locally, and Bob fell in love with Goshawk’s design.

Bob was calling to tell me the article had just been published.

He’s an interesting person, athletic, fit, intelligent, actively playing (and pursuing) all things guitar since the late 1960’s. Our conversation drifted — as it quickly does — into music tangents. He was still aglow from a recent compliment where a well-respected industry insider told Bob he is an excellent musician. What was especially interesting was the follow-up comment: “Musician, not guitar player. Those are two different things.”

Many of us who play tend to bring a set of patterns (musical or thought) to the guitar, then attempt to fit those into the current context, possibly contextually appropriate. Approaching guitar as a musician, instead of as a player, happens when we lead with our ear instead of our skill set.

This is something I have noticed as well, and mentioned recently in the video interview with Mike Dawes. The difference seems based on the ability to listen. Really listen.

Mind still, and present in the moment, as Buddha would say.

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IMAGE: Goshawk™ 6-string electric is featured in May 2019 issue of Jazz Guitar Today Magazine.

NYSE | Steve Sjuggerud

The Yellow Cab Prius slotted itself into an imaginary third lane. Horns are a tool to open opportunities, and my taxi driver was clearing our path to Wall Street. Touching 60 mph down the next block, tires chirping as we came to a dead stop mid-intersection, inches from the box truck bumper in front of us.

“Unexpected,” he muttered.

Yesterday, Steve Sjuggerud rang the closing bell for the NYSE (New York Stock Exchange). He was also keynote speaker, presenting his film: New Money. I love Steve, and it was exciting to support him in his new venture, so lower Manhattan was the setting for our meeting this time.

Seven visible layers of security then an elevator ride, we stepped onto the trading floor.

Power is not a sufficient word, but is the precise word. Immersive powered electronic environment, labyrinthine, purposeful. On these screens, fortunes are made (and lost) in less than an instant. Capital from investors and central banks are injected into this abstract Darwinian metaphor, traded so fast that — even at the speed of light — proximity to the exchange matters, influencing real estate prices as companies compete to locate hardware closer to the NYSE.

The pulse of human ambition, the collective physical and intellectual labor of billions of people, flow through this space in fractional seconds.

Up in the balcony, Steve banged the iconic gavel and spontaneous cheers erupted around me as the trading day came to an end (Tuesday, April 16, 2019 @ 4 PM EST). Asia then Europe will carry things forward overnight then into tomorrow.

“Money flows to where it’s treated well.” (Steve Sjuggerud)

Later, at the reception, I balanced a small plate of exquisite medium rare porterhouse as Steve shared his initial impressions of the treble bleed capacitor on the wiring harness I’d sent him for testing. A few blocks away, Steve Blucher’s ears were no doubt tingling. Yes, talking guitars, Jack Ma and Warren Buffet looking on.

Just for a moment my concentration broke. An emotion, unfamiliar, a realization…an appreciation…as two worlds clicked together and I felt the course of this incredible journey in lutherie.

PS: Kind thank you to Steve Sjuggerud and his family (and staff).

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PHOTO: Rick Toone @ NYSE.
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PHOTO: CNBC Closing Bell market recap live broadcast. April 16, 2019.
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PHOTO: Jack Ma (Alibaba) dominates the wall of financial leaders. Warren Buffet (Berkshire Hathaway) lower right.
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PANORAMA: Floor of NYSE moments after Steve Sjuggerud rang the closing bell.
PHOTO: Commemorative NYSE coin given to visitors.

Testing, testing…

It is such a joy to get time with great friends, especially involving music. When Steve Sjuggerud invited me to visit him in Florida this past week, it was an immediate yes.

The occasion was a live performance featuring Steve, Dan Ostrowski (drums), and acoustic guitarist Mike Dawes. Mike was visiting from UK, enroute to tour dates of his own. Also, we would be filming video…of the live performance, plus interviews.

More on that soon.

The next several days were just Mike, Steve, and me hanging out and testing guitars. Steve owns a stunning collection of original iconic vintage gear, lovingly curated, in perfect playing condition: Trainwreck, 1969 100-watt Marshall, Fender 1959 Strat. Plus some of the best new gear: Gil Yaron 1959 Les Paul replica, 1964 Fender Tweed replica, Blug amplifier system.

Essential benchmark guitar tone references.

Against them, we would be comparing two Goshawk™ 6-string prototype guitars I’d just completed.

What you might not know, what you might not expect, Mike Dawes — although known for his acoustic skills — is actually one of the best electric guitarists I’ve ever heard. His playing is fluid, melodic, effortless. Metal, shred…

Mike and Steve ripping together through Iron Maiden’s “The Trooper” at concert volume still has me grinning ear to ear, a few days and a few thousand miles later.

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PHOTO: Rick Toone, Steve Sjuggerud, Mike Dawes.
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PHOTO: Steve works through pickup coil combinations on Goshawk™ 6-string.
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PHOTO: Rick Toone original prototype 6-string (2012). Signatures of those who have played or helped develop this guitar. Note early patent pending tuner.
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PHOTO: Rick & Steve, mid-testing.
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PHOTO: Steve looks on as Mike explores Blueshift™ 7-string ER. Antares 6-string in foreground. Photographer Adam King works the angle.
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PHOTO: Our location…overlooking a tidal marsh, Florida coastline.