Adam J Wilson

Killick HINDS & Adam Wilson

PHOTO: Killick Hinds & Adam Wilson — so good to see these friends in person. Thank you both for wonderful conversation and music…let’s do it again soon!

Have a listen to the recording above.

That’s the unedited raw audio, exactly how it sounded to us in my studio, as Killick and Adam played live. Think of it like a documentary. No EQ or compression. FM9 + Noble DI > Logic = as heard through NS-10s.

Duet guitars are Wingspan 6 and my personal Strat equipped with a prototype RICK TOONE ’67 tremolo.

The playing is extraordinary. Completely unrehearsed live improvisation for five and a half minutes, exchanging guitars halfway through the session, giving each a turn with both instruments. The performance is so compelling, as they listen and respond to one another.

I asked Killick if he would be willing to master the recording. What he created using the “documentary” mix above is quite fascinating…mastering as a creative act: https://killick.bandcamp.com/album/play-purview-a-digisingle-signal-in-stereo

A gathering of friends under sunny skies. We hit record and talked and laughed and marveled. Adam and I got to try on new guitars and new timbres like tailored crystalline cloth. From undifferentiated exploration these precious snippets fell into the grand cosmic lap, a glimpse into insight and telepathic conversation on the subtlest of levels. A very inspiring and elucidating day! (Killick Hinds)

VIDEO: Killick Hinds coaxes out harmonics not found in the textbook.

Perfect indulgence for a guitarist: spending an afternoon with Rick Toone and Killick Hinds, doing nothing but talking about and playing guitars. Highlight for me was getting to play “Wingspan” — three things stood out about the instrument: (1) the unparalleled harmonic richness of the instrument (meaning natural harmonics can be played in places on the neck that only produce dead thunks on most other instruments…plus the strength of the upper partials when plucking strings is equally remarkable), (2) the immense timbral palette afforded by the electronics, and (3) the incredible ergonomic design, particularly the balance of the guitar. Having played many of Rick’s guitars, and being lucky enough to own a couple of them, I see the elements that he’s been refining for years finding their culmination in this machine. Devoid of any hyperbole, Wingspan is the finest guitar I have played. (Adam Wilson)

PHOTO: Adam Wilson with Wingspan 6 guitar.

Focus Group

PHOTO: Adam J. Wilson plays his fretless Spearfish™ 6-string guitar. Chris Buono is also fretless in the background.

Saturday, I hosted Chris Buono and Adam J. Wilson for a focus group session. Our mission was to evaluate two current areas of research: multi-scale fretless design, and Pisces™ tremolo performance.

We tested both of Adam’s fretless Spearfish™ guitars plus Pisces™ prototype through an extensive array of tube and solid state amps plus modeling: Roland Jazz Chorus, Carr, Fender ’64 Deluxe, AxeFx II.

Not many people in the world play fretless guitar, let alone exceptionally well, nor do many people build fretless guitars, let alone exceptionally well. Today, I got to hang with both varieties. With all that’s going on in the world, this was a welcome respite. (Adam J. Wilson)

PHOTO: Chris Buono plays Pisces™ prototype 6-string tremolo guitar. Adam with his first Spearfish™ fretless in the background.

In addition to intensive discussion, I was treated to several hours of duets and solo improvisation. You are already well familiar with Chris Buono and his mastery of the instrument. Adam is similarly gifted, employing a fascinating two handed fretless tap technique. He makes fretless shredding look absolutely effortless…micro-tones, scales, harmonies: eight fingertips on the fingerboard is just so fast.

A meeting of like-minded fretless freaks is a rare thing. This was an immensely important day for me on many fronts and will surely change how I approach fretless guitar going forward. (Chris Buono)

I have some new ideas for how to improve fretless design. Fretless is a tiny niche market of players who are super skilled and super dedicated to the almost limitless possibilities of a life without speed bumps.

Imagine the virtuosity of a solo violinist yet with the added capability of harmony.

Glorious day of exploration and learning. Most importantly…it was so good to see old friends in person. Magic happens when we share a space and music together.

PHOTO: Adam J. Wilson and Chris Buono.

Live | Arto Artinian, Killick Hinds & Adam J. Wilson

Live at the 2019 NYC Electroacoustic Improvisation Summit at New York City College of Technology. Both guitars are fretless (multiscale). Adam J. Wilson on fretless Spearfish™ 6-string. Killick Hinds on Walrus 6-string. Arto Artinian is playing a Haken Continuum surface.

Prior to this live performance, the trio recorded Body Systems studio album.

Besides the three of us, we’re improvising with some software I wrote, an algorithmic agent I’ve taken to calling “Skronkbot.” Skronkbot is always listening and always playing; when I press pedals on my pedalboard, I’m turning Skronkbot’s output on and off and directing it to use different synths and samplers. (Adam J. Wilson)

One of the ways I approach playing with Adam & Arto is to activate densities wrapped in a web of harmonic infinity…something like lungs filling to steady the next exhalation. There’s an unceasing propulsive quality from the sum of three people (plus robot!) inserting pantonal panrhythmic melodicisms with consummate attention towards making the group soup a good eat. This is a truly a fretless trio: fret less and listen more. It’s always a pleasure to work with these beautiful souls and adept technological marvels who too have their own say. (Killick)