Goshawk Guitar

A Few Years On

It’s magical to hear from clients who have been playing these guitars for a few years. I sometimes feel overwhelmed with gratitude having been able to walk this path in life, connecting with kind, thoughtful, amazing people from around the globe. I deeply appreciate your letters and notes…

Hi Rick,

I just wanted to say hello send a quick note in appreciation of the wonderful instrument you made for me four years ago.  

I have quite a sizable guitar collection, and as I was going through the inventory in search of a downsize, I evaluated all my «babies» and compared them side by side.  I play a lot of different styles all from classic finger style, fusion, prog-rock, ballads, C&W, R&B.  I don’t use a pick, thus the instruments pick-up sensitivity and capacity of modulating sound frequency is important to me.

The Goshawk is a Chameleon. There is virtually no sound drop-off in coil splitting. The tone knob is extremely versatile. And the volume knob is really a gain knob instead of increasing overall volume (that would not be desirable) it just adds more grit. I love that balance point just before it breaks up. I want the tooth to come out, but with a bit of delicious pain first. 

The bird you made stands out in the crowd, and as I played through the bunch of pretty high end guitars made by some of the best luthiers on the planet, I plugged the Goshawk back in time and time again, just to find that it could replicate and surpass pretty much any other guitar, it be a tele, a strat, a whatever.  Adding on superb ergonomics and playability, I am pretty sure this ranks as one of the most desirable guitars on the planet from a player’s perspective. And it made me think, what will I do if anything happens to it?

You’re a living Picasso Luthier, Rick.

I can picture my self in old age, hair and muscles all gone, skin dry and wrinkled, just sitting in the still of the night, noodling on my Goshawk. This bird is not going anywhere without me.

All the best to you and kind regards,

Carl (Norway)

From the snowy forests of Norway to the lush soils of Hawaii — speaking of: Dave Anderson sent me a care package recently including some locally grown single source estate coffee from Kauai. I am enjoying a cup now, which explains why autocorrect is getting a morning workout. Dave also filmed this pretty spectacular review demo of his American Girl Goshawk…

Hey Rick,

I just did this video demo’ing American Girl. Please tell me what you think and if you dislike anything about it I’ll yank it in a Jersey second. The video realm is totally new turf for me, so don’t hold back.

I’m finally getting around to finished wiring of studio things as time allows, then I intend to post some “super-sonic” demos in full audio bandwith, using studio guys that’ll hopefully knock some socks off.

I hope you’re doing well. I LOVE American Girl. Thanks again Paisano!

Aloha,

Dave (Hawaii)

VIDEO: Dave Anderson reviews and demos his “American Girl” Goshawk.

Purple Goshawk

PHOTO: Wizard purple Goshawk™ with blue-green abalone inlays. Torrefied highly figured flame maple neck.

Rick,

Purple Goshawk is beautiful. It’s somehow both more than I expected yet exactly what I had in mind. I’ve just taken it on the inaugural run by playing “Meridian” by Intervals and this instrument is an extension of me…playability, sustain, vibrancy of tone, as well as the aesthetic…I am at a loss for words. It’s alive.

When I was very young, 8/9 maybe, I had a book featuring a history of guitars. It had everything, from the first modern Italian guitars, to PRS, and even Ibanez and Klein harp guitars. I read it until the binding crumbled, then I taped it together and kept on reading. I knew at that age that an ultimate goal of mine would be to become the best player I could be, and to work with the best builder. Well, now 31 years old, I’ve achieved just that…at least the builder part, we never stop growing as a player.

Thank you for this build. There is a connection people like us have to our tools that not many on the outside can easily grasp, and I know my words would be lost on many. This instrument is an ultimate channel for my creative passion, and I appreciate the time and effort you poured into this Goshawk to make it perfectly for me. (Bryan Capriglione)

Blood Orange Goshawk

Thinking about EVH.

It’s been a year.

I’ve listened to his playing many nights in recent months. The sense of joy in his playing.

PHOTOS: Advantage™ neck profile w/flame maple and tilt-back headstock. Stainless steel frets. Sperzel™ tuners. Custom Bare Knuckle™ pickups with 10-way switching. Swamp Ash with Blood Orange finish. Carbon fiber pickguard. Patented Intonation Cantilever™ solo bridges.

Goshawk | Bare Knuckle SSB

PHOTOS: Advantage Neck Profile™ natural flame maple neck is striking against shou sugi ban Swamp ash body. Machined stainless steel neck mount plate. Patented Intonation Cantilever™ bridges precision machined from stainless steel. Carbon fiber pickguard.
PHOTO: Bare Knuckle™ pickups elevate the organic woodiness of Goshawk™ 6-string, bringing this guitar into modern rock, progressive, metal territory. Stunning dynamics and articulation.

This lovely (killer) Goshawk™ 6-string is flying south today to spend a month with Bob Bakert and the crew at Jazz Guitar Today magazine. They will be doing an in-depth review for a future article.

Had a great conversation with Bob on the phone yesterday. He’s got an honesty I always find refreshing, not unlike Hunter S. Thompson. Some Gonzo going on there.

Amazing how sometimes one discussion can clarify our thinking. I’m inspired…and inspired to get this guitar into his hands.

PHOTOS: Ebony fretboard and headstock facing. Traditional bone nut. Stainless steel frets. Hipshot locking tuners made in USA.

Guitar Tone vs. Sound

PHOTOS: ‘American Girl’ Goshawk™ 6-string guitar. Bone nut, carbon fiber, torrefied flame maple, stainless steel frets.

Last week me peeps dug down a txt thread rabbit-hole regarding the difference between guitar TONE vs. guitar SOUND. I had enough coffee in my circulatory system to posit a position guitar videos demonstrating sounds are useless for evaluating what an instrument actually sounds like.

The blowback was pretty intense.

I am happy to report however, that because I have a website — and can type using all ten fingers (instead of texting with thumbs) — some slight speed and bandwidth advantages accrue to me outlining the dissemination of my philosophical perspective.

So here it is:

TONE is the acoustic character of a guitar when played un-amplified, or played through a basic signal chain: clean (or overdriven amp) or direct. TONE is the acoustic responsiveness your ear uses to discern the differences between guitars, or types of guitars.

SOUND is the finalized combination of a guitar plus a signal chain when heard in the context of a song. SOUND is TONE plus the addition of effects, compression, EQ, mixing.

I like guitar videos where I can hear the TONE of the guitar. Once that baseline is established, it becomes easier to determine which guitar a player would choose for the gig or session. You have a clear idea of your basic building block which will affect all other results downstream in the music.

Aloha Rick,

My fingers are raw after running through some of the paces amplified last night. I only went through the 5 positions on the humbucker side. It sounds so HUGE!!

I locked in a sick Wes Montgomery 335 tone using the tone knob and position 2 on the selector with the volume knob dialed back slightly. The versatility, clarity and dynamics are unlike anything I’ve ever experienced.

I found myself daydreaming for a few minutes not feeling this instrument either on my body or in my left hand. I literally woke up noodling and did not feel this instrument on me at all. Totally invisible, but not at all missing in any way, as it has just the exact amount of chunk to still be felt.

The neck feels absolutely perfect. The frets… Oh My… How did you get them SO SMOOTH?!?!? If I could translate the design specs of the perfect neck for me, this one is better! Its also the most gorgeous natural wood grain… Perfect! 

Words cannot describe how striking this neck is to my eyes. It is so beyond birdseye which until today was my favorite look on a neck. This is just so many levels higher. The pictures and demo video did not at all capture how insanely patterned and beautiful this neck is.

I can’t call the Goshawk ‘American Girl’ a guitar at this point. You probably hear this all the time – its flawless!

I appreciate you Rick, I really do. Thank you.

Mahalo,
Dave

PHOTO: This beautiful Goshawk™ natural finish swamp ash solid body. Patented Intonation Cantilever™ bridges. Hand-wound Lindy Fralin custom pickups with sweet organic classic 50’s Tele/Strat/Les Paul voicing. Perfect for the versatile guitarist who uses all of those benchmark American TONES.

‘American Beauty’ Goshawk™ is inspired by the classic Strat/Tele/Les Paul tones of the 1950’s. Lindy Fralin hand winds pickups using all of the original methods and materials in Richmond, Virginia. I wanted to bring his aesthetic into Goshawk™ to create a one guitar which allows you to leave your vintage closet queens home. Combined with 10-way switching and truly useful tone control, everything is at your fingertips. In a professional studio or stage setting where you desire that American sound, this is the guitar you will reach for night after night.

Even grained, light weight, and resonant — when I find Swamp Ash this lovely — it begs to be paired with highly figured roasted Flame Maple, with a minimalist organic clear finish. Expect snap, resonance, plus the exceptional string clarity and sustain characteristic to my builds.

Goshawk™ is hand built, luthier’s art. Details throughout: Hipshot locking tuners, luthier’s joint tilt-back headstock, bone nut, mother of pearl inlays, polished Dunlap stainless frets, custom neck mount plate, carbon fiber pickguard. Patented Intonation Cantilever™ solo bridges precision machined from stainless steel. Trademarked Advantage™ neck profile for hours of ergonomic comfort. Unrestricted upper fret access. Perfect curves and lines blend with your body as you play. (Rick Toone)

I love this video of Chris Buono improv-looping through the pickup selections on ‘American Girl’ Goshawk™ 6-string guitar. We used the simplest signal chain: Noble DI > Strymon Iridium (Deluxe) > Logic. His playing is superb and his switch selections shine through.

VIDEO: Even Chris Takes Lessons From Chris. Chris Buono multiplies himself and teaches a master class on channelling Jerry Garcia (Grateful Dead). Goosebumps tone from ‘American Girl’ Goshawk™ 6-string guitar. Signal chain is Noble DI > Strymon Iridium > Logic.