Misha Mansoor | Reptile Spearfish
Testimonials
A Portrait of the Artist
This was a new experience for me. I’ve never done a portrait of another human being using guitar as mixed media. Why not, though?
Killick Hinds and I have been friends for almost a decade. One of the first things he sent when we met was his autobiography of sorts, perhaps a proto-biography. As I read, I thought: “Here is an honest soul.”
Many thoughts and visits exchanged since then, and my love for him as a person only continues to grow. For those of you who are new…within fifteen minutes of meeting Killick in person I stopped noticing his skin is a mosaic of artwork. Again, over time, I appreciate his commitment to his singular path as an artist.
In building this guitar for Killick, I wanted to generate a glimpse of him in tangible, material form. We discussed the technical attributes extensively, however the aesthetics were left entirely to me and delivered to him as a total surprise.
I do believe it works.
It’s not even a guitar…it’s something totally new. The resonances/overtones are unfamiliar to my sensibilities. Bowing with the Pickaso yields entirely new textures & audible rhythms in addition to the fundamental/overtones. It’s instantly rewarding and challenging. This instrument is a perfect ergonomic fit and is truly the electric guitar’s metamorphosis. It’s a surreal time to welcome beauty and homework into the world. Thank you completely! (Killick Hinds)
Ede Wright | Goshawk Blues
Last night, Ede sent me the link to this video. I’ve probably listened a dozen times and still not caught all of his grace notes and sly references (Steely Dan, Yngwie Malmsteen) in this blues riff. I don’t know if people fully appreciate how truly great of a player he is.
“Thanks, Rick. The clean tone of this amp with the Red Guitar is the best I’ve heard. Goshawk really blends with the (Glaswerks Zingaro) in a beautiful way. It’s a bit of a departure from what you may be used to hearing me play, but I’m trying to show more of my range in these videos. Doesn’t hurt that Goshawk has more range than I do.” (Ede Wright)
Fine Art
Hi Rick,
Your Goshawk™ guitar and Anthology™ case against a piece of furniture of 1774 (Jean-Francois Leleu). The piece of furniture is really unique in this world…as is your guitar. The drawing is a self-portrait from Frank Auerbach, he is one of the best living artists from the London school (a good friend of Francis Bacon and Lucian Freud).
I started again to play acoustic for a couple of days, difficult to re-adapt. My (French) guitar teacher played your guitar, he went crazy! Your guitar is Fantastic, more than I ever could expect.
A thousand thanks for all this.
Adam (Paris, France)
NAMM 2020 | Report
“NAMM was an excellent experience – and thank you so much for offering your outstanding guitars! Little Angle Wing exerted a magnetic pull on anyone within eyesight of it – I am serious, even NAMM officials came up to ask about it and our booth enjoyed a constant flow of visitors as a result. I was able to see that guitar in the hands of several gifted players at the show – I am less of an 8-string player myself but I loved the Goshawk, all tonal planets are in alignment with that instrument in a way which is quite unique, the variable split concept being only one element of the synergy going on there. Steve was a pleasure to be around from start to finish and an excellent ambassador too – not to mention a great player!” (Alasdair Bryce)
“My good friend Bryan (owner of the “Modern Guitarist” company, which I am an original member and moderator for), went as my proxy of sorts and checked out Little Angle Wing at NAMM – he basically said ‘it’s a guitar from 2121’ and was just floored in how deliberate it was in execution, aside from being the most incredible 8 string he’d ever played.” (Matt Richards)
“Jason from NSF Controls is a real guitar player. And he was blown away. Loves the guitar and the switch. Good times. Man, the end result is everyone loves both guitars…in different ways. Most people were instantly in love with Goshawk™ comfortable right away and seeing it as a premium instrument. Most were simultaneously very curious and fearful of Little Angle Wing. Only young players could take it on full flight.” (Steve Sjuggerud)
“Man I’m telling you, the clarity of Little Angle Wing is something I haven’t heard in other guitars. The tension is so good on it, no flub and pure sustain. I experimented with tapping on the 20-24th frets and no dead spots. Just awesome.” (Gabriel Levi)
