Testimonials

First Impressions

PHOTO: Aidan gets acquainted with his new Birdseye Blonde ’67 guitar. Multi-year student of Chris Buono, it was a great learning experience to listen in on their lesson and jam here in the studio.

Having the chance to sit down with Rick and play this guitar was a tremendous experience. The craftsmanship speaks for itself: it’s wonderful to play, comfortable, beautiful to look at, and most importantly sounds excellent. The tremolo is incredibly smooth, and it’s amazing to pitch shift chords in tune. The tuning stability is also the best I’ve experienced on any tremolo. Being able to drop the low E and stay in tune is wild!

Thank you again for hosting us this past Saturday. Reflecting with Chris during my lesson tonight, it really was a joy to be surrounded by music in its rawest form, and getting to share in that experimentation was as eye opening as it was inspiring.

My biggest takeaway from playing and conversing between the three of us was the importance of respecting the music and composition versus “taking a solo”. Improvisation has form, and establishing lead sections (beginning, middle, end) is as exciting and engaging as supporting with rhythmic and/or ambient variations.

Sjuggs Jam

PHOTO: Something magical happened in the 1950’s. Gretsch drums, Fender Tweed, paired with (my ’67 version) Leo’s iconic guitar…they play together so well recording is effortless.
PHOTO: Sporting team colors, Sjuggs points out the Plexi/Tweed switch on this awesome Dumblesque “Tweedle” 5E3 build from Denver Amp Works. Fluxtone speaker tech is probably the greatest invention since radio — imagine your tone is perfect no matter what the volume in the room.

My good bud Steve Sjuggerud flew up from Florida this week to hang out in the studio and catch up. Our plan was to record a jam session, but we got distracted by amplifiers. More specifically, amplifier mods. Turns out, this might be the deepest rabbit hole of all time. We forgot to play and just talked for two days.

Choose your tubes. Pot values. Caps. Resistors. Rectifier? Schematic. Point to point. Switches. Wire gauge. Speaker. Magnet material. Cabinet material. Open back or closed? Pine. Birch ply. Finger joint. Tolex. Tweed.

Change out any of those variables and the amp becomes an entirely different beast.

Steve, so awesome to catch up in person. Thank you for our time together — and also this amazing amp.

PHOTO: Black anodize Rick Toone™ tremolo on the ’67. In the background the 5E3, patiently waiting to jam.

Wingspan Fretless Multiscale

“I. AM. SPEECHLESS. Lost for words. Thank you!” (Steve Sjuggerud)

PHOTOS: Seemingly simple, yet infinitely deep.

7-String Single Cut | Eclipse

PHOTO: Inviting contours. Light weight, balanced, minimalist.

I fell completely in love with this guitar. Something about the simplicity feels familiar. Sleight-of-hand simplicity, however. Unusual multi-scale plus the Advantage™ neck profile plus the ingredients adds up to a delightful playing experience.

Plus, that tone. Warmth, piano clarity, sweetness.

Deeply grateful to Andrew for allowing me a blank canvas and his patience as I thought through how to manifest this machine.

“Have you considered designing a 7-string single cut? I have always been drawn to single cuts (mainly Teles), and I have been looking for a seven string. I can’t, however, find one that I like. Please let me know if that is something you would be interested in working on. I just love single cuts, but most people don’t push the limits of what they are capable of. I was thinking a headless multiscale, humbuckers (probably Bare Knuckle), 6-way switch, tone and volume. Simple finish, probably a nice black stain with a nice wood grain.” (Andrew)

“I am still a bit speechless…I have been playing almost non-stop, and I am completely blown away. Even when I am not playing it, I am still thinking about it. The design and aesthetic are incredible. It is so much fun to play, and I have barely scratched the surface. It is so comfortable, and you were right…a complete tone machine. The fun starts now, as I am already finding new ways to approach my playing. I can’t wait to see where she leads. Thank you so much, and it was definitely worth the wait.” (Andrew)

PHOTO: “Eclipse” 7-string guitar. Torrefied swamp ash, quartersawn torrefied flame maple, ebony. Carbon fiber, aircraft aluminum. Patented Intonation Cantilever™ component system. Custom Bare Knuckle™ PolyMath pickups with 6-way switching.

Adam J Wilson Live

PHOTO: Adam J. Wilson recorded live at American University in Washington D.C. on October 10, 2024.

Before we get into the details, here is the overview. Adam is playing multi-scale fretless Spearfish™ 6-string guitar through a signal chain of electronics controlled by software he wrote. Output is into an 8.2 channel speaker array.

“I made an mp3 clip that is suitable for posting on your site; a little over a minute excerpt. I am trying to post/share only clips from the forthcoming record; still trying to figure out how to contend with AI/scraping/etc.

“The title is 2024.2, it is a 16-channel electroacoustic piece, and the personnel includes me, playing the second fretless spearfish (‘Plectrodon’) you made for me, and my real-time improvisation software (collectively called ‘Skronkbot’). The first 30 seconds of the drums is composed, and the remaining 6 minutes are generated algorithmically from that kernel. The bass and harmony instruments are generated in real-time in response to my playing. The harmonic resources are based on a 16-tone just intonation scale with a variable reference frequency.

“I am really enjoying the sound of the latest Plectrodon. I am definitely converted to a bridge pickup guy. I feel like with the sustainer and the Bare Knuckle in the bridge position, I was able to achieve a cello- or saxophone- like timbre using a massive amount of gain on a tweaked ENGL model.

“Funny story: I was contemplating getting a tube amp, and I auditioned a lot of them. My favorites were ENGL amps: the Savage 120 and the Founders Edition. Then I discovered that my favorite stock model on the Axe Fx, ‘Angle Severe,’ which I have been modifying to get my sound for a couple of years, is based on the Savage 120! The ear wants what the ear wants!” (Adam J. Wilson)

PHOTO: Spearfish™ 6-string guitar. Multiscale fretless patented component system, precision machined from aircraft aluminum and stainless steel. Bare Knuckle custom pickup. Sustainiac driver with custom electronics.