Death Of Superman

VIDEO: Death of Superman featuring Chris Buono, Todd Haug, Ken Kinter, Gabriel Levi, Steve Sjuggerud, Rick Toone, Ede Wright. Instruments, music, lyrics, production: Rick Toone.

“Shop’s closed,” I called out. “New national holiday.”

Quiet laugh from outside. “This would be a social visit.”

Intrigued, I opened the door. Slender graceful figure, bullfighter. Dark hair, swept back, deep mirth lines around keen eyes.

“Have we met?” I asked.

“Several times. Never in person.” He stepped through the doorway, casting a quick appreciative glance at tools and systems neatly arrayed in the guitar shop. “My name is Francisco.”

I studied him: self-possessed, confident in his own body and thoughts, without arrogance. Straightforward.

“How is your supply chain?” His eyes focused directly on mine.

“Delays. Suppliers — like DiMarzio, for example — forced by government to suspend business during lockdowns. StringJoy, and others, waiting for raw materials or facing a shortage of skilled workers. Wait times for some items are more than twelve months. Prices are increasing.”

He nodded slightly.

“What are your clients saying?”

“My clients are people of means, or quite often very serious players who understand the value of my work and are willing to save for a guitar purchase…or sometimes sell off other equipment. Universally, they appreciate what I am doing: designing and building singular pieces, transforming raw materials into a finished instrument, delivered directly into their hands. They pay me, I invest back into my own company, keeping some money for my personal needs.”

“Capitalism.”

Startled, I looked at him more closely. “That’s not a word I hear often…with your tone of appreciation. A friend texted me a few days ago. She was at a party with 25-30 year olds. She noticed their main discussion topic was: ‘How Capitalism has ruined their lives’.”

Holding my gaze, he said: “Because they have correctly identified they are slaves. However, they have not identified their master.”

“Provocative statement,” I responded.

“No,” he replied. “Education failure. Those partiers don’t understand they are trapped in a Socialist system — where select few politically connected classes of people are given unlimited amounts of unearned Dollars. Why do you think there is growing unrest and political tension within the United States? It’s because competing political tribes are in a fight to the death to gain access to that free money.”

I thought quietly. “What is the solution?”

“Scarcity has value. Things that are scarce are valuable…consider what you would be willing to pay for a bottle of drinking water if you were canoeing on a pristine glacial mountain lake vs. dying of thirst under relentless desert sun. This same principle applies to money. When money is unlimited, it has no value. The solution is to end the central bank: The Federal Reserve.”

He continued.

“Those angry partygoers clearly understand it is increasingly difficult to simply survive: pay for food, pay for housing. Why? Prices are going up, and the reason is: our culture is quite literally drowning in excess money. Over time that money will accelerate toward accumulating in the hands of the few, but the nature of the problem will remain unchanged.”

He shrugged, “Even if everyone was given the exact same amount of money, prices will continue to rise. Because each Dollar is worth less, as unlimited amounts of new money are created. Every additional added Dollar buys less.”

“What if the government implements price controls?” I asked. “Setting a basic price for wages, or food, or housing?”

Francisco laughed.

After a moment he walked to the window and looked out across the farm fields.

“What makes you think other nations will continue to use the Dollar? What happens when they begin to use scarcity-backed competing forms of currency: blockchain-crypto, gold? How will you survive when nobody accepts your form of worthless money?”

“Force always fails. Ours is a Darwinian planet.”

Odin | Goshawk

A quiet knock but with weight, on the wood door of my shop. Deep evening, winter’s blue black and the hush of deep snows.

“Come in,” I said.

Cloaked figure stepped through, gracefully, balanced muscle and power. Greying hair. Two half-wolf dogs slipped in behind him, circling the room, settling at attention, tails to the hearth.

He looked at me appraisingly through one clear eye, the other covered by a patch. Snowflakes rising as steam from his woolen mantle. I nodded.

“Please make yourself comfortable. Mead?”

“Yes, thanks.” he replied.

He studied my tools, the layout of my workspace, builds in progress. “You have a certain mastery,” he said. “I value the precision in your work.” He continued: “Skill and trust are the coin of my realm.”

I recognized him as a leader of men.

“I have…an adventure ahead.” His eye glinted with mirth.

I intimated thoughtfully, almost as an aside: “Perhaps related to the follies of Lear.”

He smiled, then his features hardened. “Many suffer from the foolishness of the few. This world does not abide weakness.”

“Return again in Spring, the first month of green grasses. Your build will be ready.”

We stood, both wolf-dogs bounding out the door into the night. He clasped my forearm strongly, then strode forth beneath breathtaking stars, diamonds in darkness. High above the western horizon, Mars shining red.

King Lear | Goshawk

King Lear
Goshawk Guitar

The crown was too heavy for the old man’s head. Lear resented the weight, the headache, exhaustion of it all, blue eyes bloodshot, his frail neck strained, wisps of white hair trembling.

He wanted to be done, yet the lust for power dominates long after physical appetites erode. Once experienced, desire to command and be obeyed is not easily relinquished.

Lear felt a certain responsibility, as well. He believed, as all fools do, his will should dictate distribution of wealth amongst men. So thus cleverly, he devised to bestow a kingdom’s treasures between his children — decided in proportion by the earnestness of their public professions of love for his magnanimity.

From each, according to their avarice, to each according to their guile.

Rick Toone Guitar

I wanted to reflect emotions of Shakespeare’s King Lear at this moment of descent into madness. His armor and clothing cast off in a tremendous storm, freezing, covered in mud, raving to the heavens how he had been betrayed…when all along the destruction was of his own making.

Swamp ash, roasted flame maple, bone, carbon fiber. Layers of finish depth, patina of antiquity, raw metal of medieval armor. Driven by gleaming precision machined patented Intonation Cantilever™ stainless steel bridges, polished stainless steel frets, and the most versatile but subtle electronics I’ve yet installed.

Measured in terms of tonal sophistication, my builds will be judged as separated into pre-Lear vs. post-Lear epochs.

Rick Toone