Harp Guitar

Windows open, cool early spring air offsetting the warmth of sunlight on the building. Trees just beginning to bud, Robins and Red Wing Blackbirds in lively song all around us. My dog, Lena, content to lie in the grass and wait for our run.

I set up the Apple laptop, Apogee converter on my workbench. Direct into Logic, with one channel each for guitar and sub-bass. Capture the sound of this instrument as accurately as possible.

All twelve strings tuned: EGABCD sub-bass, EADGBE guitar.

Pause. What will I play?

I slowly breathed. Let the thoughts fade, emotions replacing them. I asked myself: “What are you feeling?”

“Waiting.”

All of humanity feels what’s coming. Storms just beyond the horizon. There is a weight to this moment. If ever there was a time to take out Skynet and eradicate the fucking filters, this would be now. While we can still connect as a species, person to person, beyond the systems of corporate and government power. Communicate necessary truths peer-to-peer across geographic and political borders.

I picked up my guitar pick and clicked record.

“This thing looks incredible.” (Tosin Abasi)

“Gorgeous all around! I just listened on the big speakers. The lows are excellent. Those basses sound beautiful!” (Killick Hinds)

“Hope it won’t offend you to say the first thing I noticed was the excellence of your photography. Might have been a different career path in another life. What to say about the guitar? It’s another of your creations that could easily be displayed in a museum. More practically, I’d love to hear a player with a classical background try it. Wonder what some of the teachers at Berklee would make of it?” (Steve Blucher)

Wow Rick…I feel like I have just glimpsed decades into the future! This must be the ‘poly-metal alloy’ construction…I enjoyed your commentary too, very poignant. (Alasdair Bryce)

harp guitar
PHOTO: Compact, ergonomic, headless. Perfectly balanced and weighing only 10.5 lbs. despite full 34” sub-bass. Sarah Connor’s weapon of choice.
stainless steel and aircraft aluminum sub-bass
PHOTO: Stainless steel and aircraft aluminum sub-bass.
double neck guitar
PHOTO: Mahogany solid body. Carbon fiber. Patented Intonation Cantilever™ bridges, Positional Constant String Pitch Control System™ bass bridge. Element™ 6-string guitar neck precision machined from single billet aircraft aluminum.
rick toone
PHOTO: Proprietary DiMarzio™ pickups.

Magnets And Wire | Album & Documentary

“Hey!” I asked, “Would you guys be interested in recording an album? I have an idea in mind.”

A flood of yesses flowed in before I had a chance to explain…

I had developed independent friendships with each of them as individuals, but most had never met one another in person, just basic awareness as fellow artists via my website. All of them have been loyal long-time supporters of my craft. I knew this mix of personalities would be synergistic and supportive.

Even working professional musicians find it difficult to gain enough time and space to be able to record an album. The pressures of touring, teaching, writing, and performing are intense. And so many of my clients are passionate amateurs — in the purest sense — they make a living unrelated to music, yet dedicate their free time to playing. Many are highly skilled but have no outlet to record.

I want to change that.

To keep our focus tight and set logistically achievable goals, we established several criteria. Each participant will be featured on at least one song. Choose someone(s) to collaborate with or perform solo if you wish. Most importantly, recordings will be first or second take…looking to capture spontaneous magic.

Steve Sjuggerud contributed his time and resources with incredible generosity. He hosted us at his location Sugar Pointe, surprised everyone with custom t-shirts and a coastal waters sunset cruise, plus brought in supremely talented photographer Adam King (check out those photos!) and drummer Dan Ostrowski to add depth to our mix. Thank you, Steve. Thank you also to Steve’s wife Kassy, and his business partners Chris & Kelly Manus.

Killick Hinds generously contributed his audio recording and production skills, first in tandem with me on location, then in his studio mixing and mastering. His deft touch transformed the raw audio into a coherent whole — a difficult task because each song was an entirely different arrangement of room, mics, musicians.

I gratefully thank Chris Buono, Todd Haug, Ken Kinter, Gabriel Levi, and Ede Wright for flying or driving to Florida to contribute their beautiful art.

PS: This album is dedicated to SB. You have inspired many more lives than you could ever know.

magnets and wire toone ensemble
ALBUM: Listen at https://killick.bandcamp.com/album/magnets-wire (photos: Adam King)
VIDEO: Documentary recording the album Magnets And Wire at Sugar Shack in Florida, November 5-6, 2019. Guitars and basses designed and built by luthier Rick Toone. Filmed entirely on iPhone. (41 minutes)
PHOTO: Toone Ensemble. Clockwise from upper left: Steve Sjuggerud, Ede Wright, Killick Hinds, Todd Haug, Dan Ostrowski, Ken Kinter, Gabriel Levi, Rick Toone, Chris Buono. (Photo: Adam King)

Gift | Music Video

There’s a local tavern with a long history. During the War for Independence it quartered Hessian troops, the commander of which — Count Carl von Donop — was infatuated with a “beautiful young widow” by the name of Betsy Ross (age 24).

Betsy, when she was not sewing flags for the Revolutionaries, applied her skills such that Count Dunop was “distracted” by her company on Christmas Eve, 1776.

She held him out of position that night, allowing George Washington’s significant victory a few miles north, in the Battle of Trenton. Von Donop’s desire to occupy her territory proved fatal to the British Empire’s ambitions to control the American Colonies.

Betsy entertained the Count at her place in Mount Holly, New Jersey, a few miles south of this very same tavern. Mount Holly is home to a fantastic start-up — Spellbound Brewing — which brings us full circle to Ken sitting beside me on a bar stool drinking Spellbound Porter as we talked politics, sports, and music.

Ken is almost done his doctoral dissertation in psychology, and despite off-hours, the psychologist’s lens is never really dormant. He turned to me, looking over the top of his spectacles: “Son,” he said, “when was the last time you actually played music?”

We’ve been friends since 7th grade.

“All work and no play makes Rick a dull boy,” he concluded.

“You have set yourself a huge first challenge, I’d say. An a-rhythmical lyric, with syntactical sense that spans multiple line ends, sung at the edges of your vocal range, against a rhythmic accompaniment where the melodic component is a textural combo of counterpoint, choppy guitar and an extended, almost freeform bass line. You know how to aim high, for certain.” (Gethyn)

“I like the minor second above the root in the melody on ‘mare’ and ‘feet’!” (Adam J. Wilson)

“Whoa. That’s a left turn!!! Hats off, Rick. That took a lot of guts. Is this gonna be a thing?” (Chris Buono)

“PISCES: You might feel yourself shying away from a situation, which is actually a good indicator that you should go forward instead. The only way to conquer fear is to let it dissipate through the action it was so afraid of.” (Holiday Mathis)

“Rick: Was not expecting this! Very different, love the vibe. Great recording…the tones of your guitars are so recognizable to my ears.” (Gabriel Levi)

“What’s amazing is how quickly you took this from concept to full realization. The tensions and resolutions and irresolutions (and ear resolutions!) really speak to the spirit of what we need as creative souls navigating our paths. Good to see you, too.” (Killick)

“So intense, it made me think of the writings of Emerson and Thoreau which always for me have a certain gravity and profound thoughtfulness about them, a timelessness.” (Will Pitt)

Video | Goshawk | Geoff Waldron

My friend Geoff Waldron is an excellent songwriter. When I asked him to put Goshawk™ 6-string through her paces — Nashville style — Geoff composed two absolutely gorgeous pieces of music. Some people just have the ear…check out his playing.

Holy Moly!!

What an instrument! The box had no dents or damage and the guitar arrived safe and sound without a scratch. Still perfectly in tune and ready to play!

The guitar flat out feels like a beautiful woman… like touching the skin of a supermodel when I touch your guitar. The most amazing neck… I can’t even believe it.

You have a fine eye for detail… I should be so lucky to be working with such an accomplished artist such as yourself.

Truly an awe inspiring work of fine craftsmanship.

Truly makes my guitar collection seem like haphazardly constructed hunks of wood and metal. (Geoff Waldron)

VIDEO: Geoff Waldron demos Goshawk™ guitar.