What did fine arts painting look like at the moment of Picasso?
Killick Hinds has a significant history of recording with some of the most interesting artists. Players who are pushing limits and exploring boundaries.
Yesterday, I asked him if he wanted to record something together. I truly don’t believe you can fully understand Killick’s genius until you actually work with him.
“The interplay of Killick’s 8-string you built and the great range of the tremolo is very exciting. Your playing is exciting, love diving the vibrato at the end of a phrase — reminds me of cutting the power on a tape machine. Reminds me of Xenakis textural language. Excited to hear more of it and see how that thing is working!” (Andy Pitcher, StringJoy)
