Killick is channeling broad influences even in this short piece. I hear shades of Jackson Pollock, Brian Eno, and David Lynch in a mesmerizing blend of creativity and spontaneity. Hats off to this moment of brilliance! (@ShinMadero via YouTube)
pisces tremolo
Focus Group
Saturday, I hosted Chris Buono and Adam J. Wilson for a focus group session. Our mission was to evaluate two current areas of research: multi-scale fretless design, and Pisces™ tremolo performance.
We tested both of Adam’s fretless Spearfish™ guitars plus Pisces™ prototype through an extensive array of tube and solid state amps plus modeling: Roland Jazz Chorus, Carr, Fender ’64 Deluxe, AxeFx II.
Not many people in the world play fretless guitar, let alone exceptionally well, nor do many people build fretless guitars, let alone exceptionally well. Today, I got to hang with both varieties. With all that’s going on in the world, this was a welcome respite. (Adam J. Wilson)
In addition to intensive discussion, I was treated to several hours of duets and solo improvisation. You are already well familiar with Chris Buono and his mastery of the instrument. Adam is similarly gifted, employing a fascinating two handed fretless tap technique. He makes fretless shredding look absolutely effortless…micro-tones, scales, harmonies: eight fingertips on the fingerboard is just so fast.
A meeting of like-minded fretless freaks is a rare thing. This was an immensely important day for me on many fronts and will surely change how I approach fretless guitar going forward. (Chris Buono)
I have some new ideas for how to improve fretless design. Fretless is a tiny niche market of players who are super skilled and super dedicated to the almost limitless possibilities of a life without speed bumps.
Imagine the virtuosity of a solo violinist yet with the added capability of harmony.
Glorious day of exploration and learning. Most importantly…it was so good to see old friends in person. Magic happens when we share a space and music together.