Orchid | 7-String Guitar

PHOTOS: Quarter sawn flame maple, Madagascar ebony, swamp ash, carbon fiber. Shou sugi ban traditional Japanese wood finish. Custom DiMarzio™ pickups with 10-way switching. Patented Intonation Cantilever™ solo bridges precision machined from stainless steel.
PHOTOS: Orchid™ 7-string guitar is part of a matched set which includes Orchid™ headless 4-string bass and Goshawk™ SSB. Orchid body shape is equally ergonomic in both guitar and bass platforms. Exceptional versatile playing position options, always with a natural neck up balance.

Raven | 7-String ER

Bespoke for Victor in Chicago. Swamp Ash, carbon fiber. Element™ single billet aircraft aluminum neck. Patented Intonation Cantilever™ bridges precision machined from stainless steel, bearing bronze. DiMarzio™ exclusive pickups with 10-way switching.

Speechless, Rick!!

I absolutely love what you did with the body shape. It has its own character vis-a-vis the Fathom™ and others.

Nailed the finish, too. Just like the majesty of a raven’s feathers in sunlight! How’d you manage it?

You’ve outdone yourself with the Raven. I have a multitude of things I could say, but, pending a more detailed report, I’ll just say that the instrument excels on every level.

What’s most impressed me in these early stages is the playability. It feels even more comfortable to play than the Spearfish — that same Element™ feel, but perhaps just the right amount more tightness in the bends and vibratos. Just perfect. And the extended-range functionality is just insane in the best way.

I like to play any new guitar un-amped for a fair bit to get acquainted with the feel, the sound of the pick contact, and the natural resonance of the guitar, and the Raven impresses in all respects. In particular, the setup is fantastic — low to the deck, but not to the detriment of the satisfying, almost springlike attack.

On a different note, I’ve really enjoyed seeing the subtle changes in the finish under different lighting. I’ve also found myself staring at the guitar a lot: even if it weren’t an absolute sound machine, it’d function just fine as a standalone marvel of design!

Stay tuned for a more detailed update later, but in the meantime: thank you. This instrument is a joy. (Victor, Chicago)

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