Serpentine Mind

VIDEO: Gabriel Levi performs his original: Serpentine Mind. Excellent vocals to accompany his playing on Spearfish™ 6-string guitar. Beautifully understated solo beginning at 2:30 mark.

Beneath the layers of upbeat major chord harmonies and deft pop production of a love song lies this image. Coiled, writhing. Existential terror as Emily Dickinson describes:

But never met this Fellow
Attended or alone
Without a tighter Breathing
And Zero at the Bone.

“Serpentine” combined with “mind” is especially horrifying. Reptilian non-negotiable predatory purpose superimposed on (dwelling within) mammalian skull, our locus of empathetic warmth and compassion.

Excellent writing, Gabriel.

Throughout our evolution, what is the one predator from which there is no escape? The one predator capable of silently killing, even when we are hiding in treetops for safety, seeking protection from larger carnivores below?

Snake.

I want to propose an hypothesis.

The hypothesis is this: crowd-sourcing safety is the evolutionary driver for language.

Let’s step back 2 million years for context. Fight, flight, freeze, fuck. Our basic survival responses to new external stimulus. Fight (including hunting), flight, and freeze are physical movements under the control of each individual. Fuck — sexual reproduction — is coordinated and negotiated chemically via pheromones.

None of these responses require vocalization.

However, what would? Two million years ago, what would be the single most useful tool to ensure our species survival?

“There’s a snake on the branch above you.”

The ability to transmit instantly an image directly from mind to mind using sound waves.

There is a multiplier effect when suddenly ten individuals with twenty eyes and twenty eardrums are coordinating information from ten locations and perspectives. Incredibly powerful survival mechanism. This is what drives the evolution of language.

Once Homo became fully erect and disconnected diaphragm control from breathing, our ability to develop complex nuanced language evolved exponentially. We now use and practice language as play, enriching our experiences across the entire spectrum of human activities.

However, the fundamental purpose underlying all linguistic development remains: safety.

I want to propose a second hypothesis.

Freedom of Speech is not only a moral right, Freedom of Speech is a biological imperative essential for human survival. Surrender that right at your peril.

When considered at the level of DNA replication and generational transference, all speech is useful, and all thoughts are useful. This is our species-wide survival mechanism of individuals broadcasting their unique perspective from their location. And as individuals, we assess the relative accuracy and urgency of that raw incoming data from other people…

Consensus is not analogous to safety, at any scale. Autonomy is an evolutionary failsafe.

IMAGE: Support Gabriel Levi on Spotify.

Declaration

July 4, 2021.

Hoofbeats outside my shop.

Startled, I opened the door to a horseman dismounting his lathered chestnut mare. Early thirties. Auburn hair tied back in a short queue, rider’s clothing late 18th century. “Twenty eight miles and a swim from Independence Hall,” he said by way of introduction.

“Thomas Jefferson.” I scarcely breathed the name.

“Yes,” he replied.

He unbuckled his saddle bag and presented scarred timber — burn marks and bullet holes. “Given to me by a friend. Will you accept the responsibility of fashioning an instrument from this?”

I weighed the piece with my hands, history immediately visceral. I understood. “Not an artifact, a reminder. Much like your Declaration.”

“Which you have let slip through your fingers.”

“Me, personally? I build guitars. What do you expect me to do?”

Ferocious intelligence assessed me: my words, my physical self. Unbearable scrutiny of this experienced swordsman, blade in hand. “I gifted you a set of Principles. At full risk to Life and Fortune we fought to give you self-responsibility. We have granted you the freedom and the mandate to speak Truth.”

He continued. “Instead, I find an Empire of Lies.”

“A central bank — the Federal Reserve — which you have allowed to finance military expansionism around the globe. Recently you have purchased the finest pandemic borrowed money can provide, from patented disease to patented cure, while you cower in your homes, begging unelected bureaucrats for permission to live.”

I countered heatedly. “But isn’t this for the greater good? Export democracy to spread peace? Accept restrictions to protect the weak…how can you possibly suggest we ignore Science?”

“In both instances, correlation is not causation,” Thomas Jefferson stated.

“What if you were to discover reality is actually completely opposite the narrative you have accepted?” He looked directly in my eyes. “I submit you prove current regulatory actions are not exacerbating your circumstance. If you wish to follow scientific principles, you will begin with Marek’s disease.”

I countered, the phrasing as if memorized. “Many alive today believe hypocrisy as a slave owner cancels your words and actions.”

“It would seem the Age of Enlightenment is ended,” he noted. “What exactly passes for rational thought in your era?”

“Twitter mobs,” a sonorous voice quietly interjected.

Powerfully built black man of similar age stepped forward, and my two visitors warmly embraced. Thomas Jefferson turned to me, “May I present Reverend Dr. Martin Luther King, Jr.”

EDITOR’S NOTE: It seems unreal as I relate this experience. And yet…

“Would you gentlemen mind if I pick up the thread and weave several strands into this cloth?” Dr. King asked. “Spiritual aspects underlie the purely logical and biological.”

“Slavery is a universal human condition. As far back as known in recorded human history, slavery has been the default: on every continent, across every race and culture. Continuing in many places today, including slavery of debt. The exception proves the rule. This one singular individual,” he indicated Thomas Jefferson, “in boldly stating ‘All Men are created equal, that they are endowed by their Creator with certain unalienable Rights’ established for the first time a framework recognizing the primacy of the Individual above the desires of the State.”

“There can be no Freedom without this principle.”

“Thomas, I deeply and sincerely thank you for this accomplishment you have wrought. You made my life, my work, possible.” Tears rolled down Dr. King’s face. Jefferson too was moved. I observed, fascinated.

“At the risk of being offensive, how do you reconcile your words — and works — with the treatment the both of you are said to have visited upon women: forced childbearing by slave Sally Hemings, marital infidelities against Coretta Scott?” I asked.

I held their gaze for a long minute of dead silence.

“A man is the product of his time,” Dr. King spoke slowly. “We cannot live outside historical context. In the words of God: ‘Judge not, that ye be not judged. For with what judgment ye judge, ye shall be judged: and with what measure ye mete, it shall be measured to you again.‘”

Thomas Jefferson watched my reaction as I thought.

Then he asked, “Is it not more useful to value and build upon the greatest achievement of an individual?”

“I will accept your commission,” I said.

PHOTO: ‘Declaration’ Spearfish™ 6-string guitar. Be sure to watch the video of Chris Buono testing the guitar.

Conquistador | Spearfish

Luis Villarreal called to inform me his daughters had just been signed to Lava Records and would be recording their — as yet untitled — third studio album: autumn of 2020, in New Jersey, with producer David Bendeth.

“I’ll meet you and prep Dany’s personal Spearfishes for recording.”

“That would be wonderful. Thank you so much, Rick.”

After some thought, I decided to build two additional Spearfish™ guitars for her to use. Moria: a 24-fret ‘fish set up for drop D tuning. And Conquistador, this 22-fret Bare Knuckle pickups-driven light weight axe…which she fell in love with for soloing.

I made four trips to visit the band at their hotel and in the various studios, including one memorable day when Chris Buono joined us. Chris was also kind enough to lend Dany his personal Goshawk™ 6-string.

Ms. Villarreal was now equipped with four of my guitars for recording.

In addition, she used guitars from David Bendeth’s vintage collection. He has decades of experience with his specific instruments, knows their frequency mix slots well, and often pushes artists to use them extensively on albums he produces.

It is not an insignificant victory this album is exclusively a recording of Rick Toone builds plus select classic instruments from the 1950’s and 1960’s. I am deeply grateful to Daniela for insisting on using my guitars (and giving David a glimpse into my world).

A few months after recording I received a phone call from The Warning’s manager, Rudy Joffroy: “Rick, this is a courtesy call to let you know Dany will be pursuing endorsement deals with major guitar companies.”

As a solo builder, one thing I cannot provide artists is tour financing and major media exposure. Dedicating time and instruments I’ve built is…as much as I can gift. Sometimes, more than I can afford to give.

I love music, and I love to help artists develop.

I wish Dany the best of luck on her next steps. A beautiful afternoon she and I had together in her hotel conference room, listening to her playing and singing as I worked on the guitars, is a memory I treasure. Her voice in private, in person, is much more delicate and beautiful than anything I’ve yet heard recorded with the band. I do hope someday her more intimate playing is recorded for posterity. She is a major talent.

I also hope The Warning’s management team and Paul Reed Smith honorably attribute credit where it is due for the sound of the pending new album.

PHOTOS: After its time in the studio, I decided to reimagine Dany’s recording Spearfish 22-fret as a work of art. I felt a vision of a Conquistador — oft-used armor & sword — stepping onto the sands and transforming a new continent.
PHOTO: David Bendeth, Dany Villarreal, Rick Toone. Spearfish™ 22-fret guitar. Sound On Sound Studios, Montclair, New Jersey.

VIDEO: Gabriel Levi explores the newly rebuilt Spearfish™ Conquistador.

Fretless Spearfish

fretless spearfish guitar
PHOTOS: Fretless Spearfish™ 6-string guitar. Patent-pending Element™ single billet machined aircraft aluminum neck with engraved position markers. Patented Intonation Cantilever™ bridges. Proprietary all passive DiMarzio™ pickups with 10-way switching. Swamp ash solid body in modern poly sunburst.
spearfish fretless guitar

With the multi-scale Element™ aluminum neck I’m playing fretless now in ways I didn’t think I could…ways I didn’t even know were an option. With the multi-scale I am able to play more harmony. I can play fingerings that are simply impossible on parallel frets. (Chris Buono)

VIDEO: Chris Buono tears through 50 seconds of finger-twisting fretless improvisation. Signal chain is Noble DI > Strymon Iridium > Logic so you can hear exactly how good this guitar sounds.
VIDEO: Roopam Garg on Wingspan™ 8-string and Chris Buono on Fretless Spearfish™ 6-string. Live one-take improvisation in the guitar shop where both instruments were built.

Moria | Spearfish 24

PHOTOS: Spearfish 24-fret “Moria” featuring patent-pending Element™ neck machined from single billet aircraft grade aluminum. Swamp Ash, carbon fiber. Moria was set up and used on drop D tuning songs throughout the album, due to be released in spring of 2021.
PHOTOS: Daniela Villarreal played Spearfish “Moria” extensively during the recording of The Warning band’s third studio album. Produced by David Bendeth and recorded primarily in Sound On Sound studio, Montclair, New Jersey, September-November, 2020. (photos: Rudy Joffroy, The Warning Manager)
PHOTOS: Bare Knuckle Silo neck pickup with Ragnarok bridge pickup. 10-position switching. Patented Intonation Cantilever™ solo string bridges machined from stainless steel.
PHOTO & VIDEO: Signal chain used in the video Noble Bass DI > Strymon Iridium > Logic Audio. No channel switching was used to achieve the overdrive tones.

Bleached Bone | Spearfish 22

Bleached Bone Spearfish Guitar
Spearfish Guitar
PHOTO: Spearfish™ component set with patented Intonation Cantilever™ bridges and patent-pending Element™ neck precision machined from single billet aircraft aluminum.

Rick,

The bleached bone finish is beautiful and definitely unique! The aluminum neck is the thinnest and most comfortable neck I have ever played on (and is cool looking too). The pick-ups sound incredible, and I love the 10-way pick-up selector switch! This guitar will make me a better player!

I mostly play blues based music direct into an amp (recently Mesa TC50).

I gave Chris Buono a quick peek Monday night during our skype guitar lesson session (he had his Goshawk sitting out). I think he was totally shocked!!

Thank you again!!

Sean Kendrick

Rick Toone Guitar
PHOTO: Bleached bone finish on Swamp Ash. Carbon fiber pick guard. Proprietary DiMarzio pickups with 10-way switching.

Daniela Villareal | David Bendeth

Daniela Villarreal Rick Toone
PHOTO: Daniela Villarreal and Rick Toone in the rehearsal space, September 19, 2020.

Rudy Joffroy met me in the hallway of the rehearsal studio and together we walked into the practice space. Long hair, flashing eyes, even a mask couldn’t hide Daniela’s excitement. She is pure energy, ready to ROCK.

I’m not sure if the guitar case even touched the floor before she had her new Spearfish™ 22-fret plugged into the Marshall.

A few months ago, when Luis Villerreal texted to say The Warning had been signed to Lava Records and would be recording in New Jersey, we made plans to meet. I suggested to him it would be good for Daniela to have one of the new Spearfish™ 22-fret guitars for recording, as well as touring once that is possible again.

The Spearfish™ now weighs in at a very comfortable 7 lbs. Perfectly balanced, entirely new neck ergonomic geometry. Killer machine.

I chose Bare Knuckle Nailbomb™ pickups for this guitar…a radically different tone from her DiMarzio-equipped bleached bone Spearfish™ 24-fret. The Nailbombs have a really raw, organic, dynamic bite that is tremendously responsive in the hands of a skilled player.

Together in the studio the two guitars will track massively, with complementary voicings.

The Warning chose British producer David Bendeth for this third studio album. David is a guitar player himself, and brings a wealth of experience recording guitar. This should be a powerful artistic pairing. Expect trend-setting rock guitar sounds.

IMAGE: Daniela Villarreal with her Spearfish™ 22-fret into the Marshall.

Ekaterina Gorbacheva

Spearfish Headstock
Spearfish Guitar
Rick Toone
PHOTOS: Spearfish™ 6-string guitar headstock machined from single billet aircraft grade aluminum. Patents pending. Hipshot locking tuners. (all images Ekaterina Gorbacheva)

I met Kate (Ekaterina) via Instagram and the excellent work she did filming Misha Mansoor playing his Reptile Spearfish™ 6-string guitar. I love the moods she is able to capture with her photography…levels beyond documentary.

“This is a very interesting path you’ve had, but I see all of it as being highly intellectual and more introverted and I absolutely relate to and admire your choices. On a side note your creations are beautiful and do have a touch of an intellectual to them.” (Ekaterina Gorbacheva)

Ekaterina Gorbacheva
IMAGE: www.ekaterinagorbacheva.com