A Portrait of the Artist

IMAGE: Eight string fretless multi-scale guitar portrait of Killick Hinds. Swamp Ash, carbon fiber, aircraft aluminum.

This was a new experience for me. I’ve never done a portrait of another human being using guitar as mixed media. Why not, though?

Killick Hinds and I have been friends for almost a decade. One of the first things he sent when we met was his autobiography of sorts, perhaps a proto-biography. As I read, I thought: “Here is an honest soul.”

Many thoughts and visits exchanged since then, and my love for him as a person only continues to grow. For those of you who are new…within fifteen minutes of meeting Killick in person I stopped noticing his skin is a mosaic of artwork. Again, over time, I appreciate his commitment to his singular path as an artist.

VIDEO: Killick Hinds and Rick Toone on Blood Mountain after recording “Magnets & Wires” album/documentary in November, 2019. Friends!

In building this guitar for Killick, I wanted to generate a glimpse of him in tangible, material form. We discussed the technical attributes extensively, however the aesthetics were left entirely to me and delivered to him as a total surprise.

I do believe it works.

It’s not even a guitar…it’s something totally new. The resonances/overtones are unfamiliar to my sensibilities. Bowing with the Pickaso yields entirely new textures & audible rhythms in addition to the fundamental/overtones. It’s instantly rewarding and challenging. This instrument is a perfect ergonomic fit and is truly the electric guitar’s metamorphosis. It’s a surreal time to welcome beauty and homework into the world. Thank you completely! (Killick Hinds)

IMAGE: Listen to “Shifting In Reverse”
IMAGE: Listen to “Seagreengrass Walk”
IMAGE: Listen to “Lake Nonlinear”