killick hinds

Song of the Blue Guitar

VIDEO: Song of the Blue guitar — Applachian trance improvisation played by Killick Hinds. Blueburst Spearfish guitar is the gorgeous creature lending colors.

I’m always excited and delighted to get time with Killick. We have an awesome friendship across domains including hiking, philosophy, audio production, and of course music. You’ll remember his excellent melodic bass playing from our Pollinator Jam last July.

While he was on tour last month we scheduled a day here in the studio to capture…well, whatever decided to manifest in his hands on our particular day. Part of the magic of Killick’s artistry is EVERYTHING is ALWAYS an improvisation.

Create, publish, move on to the next moment.

At breakfast the morning of our session I asked if he had any specific expectations for the recording, and if not, would he be open to some unusual production ideas. The concept is an evolving mix, blending sources as the song progresses to forming a sense of spatial movement.

We would limit ourselves to natural acoustic spaces and mic techniques.

As you listen, note the blending between: Schertler contact mic on the neck, AT4050 close mic strings, Noble DI, SM57 on Tweedle, Symbiote, and AT4050 room mic (in a different part of the studio).

PHOTO: Killick adjusts tuning on Symbiote. Symbiote has two sets of bass strings, with discrete outputs, allowing for multiple tunings. Strings can be plucked, bowed, or become passive sympathetic resonators as seen here. Note the block of wood connecting Tweedle amp to Symbiote to convey vibration.

Neck Over Strings Pickup

VIDEO: Killick plays Walrus multi-scale fretless guitar with neck over strings pickup. Signal chain is Neural DSP Quad Cortex > Logic. Listen on headphones or full range speakers. Audio left is guitar body pickups. Audio right is neck over strings pickup. Immersive and compelling soundscape.
PHOTO: Neck over strings pickup. Lace Alumitone Deathbucker. Aircraft aluminum, stainless steel.

“Fred Frith in the UK and Hans Reichel of Germany were the pioneers of the pickup over the strings at that end of the neck in the 1970’s.” (Henry Kaiser)

VIDEO: Adam Wilson & Killick Hinds fretless improv duet. Adam via Axe FX. Killick via Neural DSP Quad Cortex. Direct into Logic.

Imbricate | Killick

IMAGE: Imbricate by Killick Hinds.

Most of us approach music through a learned set of cultural filters. We are anticipating melody, harmony, a sequence of chord progressions structured and arranged around twelve notes separated by semitone intervals spaced with rhythmic regularity.

Killick bypasses all that with Imbricate. I love the surprise.

It may be useful to reframe his music in context of visual artists. He is possibly most similar to Jackson Pollock, in intention to avoid conventional structure. Splashes of texture and color created with appreciation for coincidences inside improvisation.

There is the deliberate meticulousness of sculptor Andy Goldsworthy. Use of natural materials, organic acoustic sounds, placed within form-following human intervals of breathing and pulse. Sudden changes of direction, of attention, bird flocks responding to air currents.

Sometimes shiny kitschy repurposed cultural artifacts like Jeff Koons. Atari guts cross-wired to dismembered Buzz Lightyear, bleeping MIDI and following the main action, commenting arcade-speak.

Instrumentation:

Track 1: Demi 8-string multiscale fretless

Track 2: Symbiote 8-string bass harp (seen in Imbricate music video)

Track 3: Walrus 6-string multiscale fretless with MIDI

Track 8: Demi 8-string multiscale fretless with MIDI

Recently this last year, Killick helped co-found Habitable Records, bringing his exceptional editing and production skills to the new label.

Killick | WUOG Live Radio

VIDEO: Killick Hinds live improvisation on WUOG (90.5 FM) Athens, GA. Two of my builds get a workout via his vast array of techniques: 8-string fretless multiscale and Walrus 6-string multiscale. Watch and listen to the evolving soundscapes he creates organically, exploring string harmonics. Fascinating and beautiful. Recorded live 9.21.2021 at the college radio station.

Killick Hinds & Henry Kaiser

VIDEO: Killick Hinds & Henry Kaiser live video improvisation duet. Killick is playing his multiscale fretless 8-string guitar.

KILLICK HINDS: I ran the fretless eight string to the Schroeder DB7 with a volume pedal (that I seldom used). I also subtly added sustain with a Gamechanger Plus pedal and Collision Devices’ Black Hole Symmetry in its effects loop. The main signal was split before these pedals, with one half going to a volume pedal and then activating Plogue’s Chipsounds via Jam Origin’s MIDI Guitar 2 in the computer. The Schertler piezo on Demi’s headstock ran into an Elite Acoustics StompMix mixer (which contributed occasional delay) into a Henriksen The Bud amp.

It was good working with Henry on this…our sensibilities match extraordinarily well. Playing with the video felt the closest to playing a concert since March.

I’ll add it was recorded with my cellphone against a makeshift green screen made of a picnic tarp and an old clothing rack. The assembly is not quite big enough for the task, so framing was a little tricky, but it worked out very well.

I’m really pleased to share this (as I know Henry is) and am very grateful he suggested the project. I thank Cuneiform Records for their continued support of new and exciting music. And most importantly, thanks to everyone for watching and listening.

RICK TOONE: Cool! He has software that works with green screen?

KILLICK HINDS: Yes, I think Final Cut Pro. I have iMovie and that works with it as well. This was my very first green screen experience.

RICK TOONE: Quite awesome. So you were in Athens and he was…?

KILLICK HINDS: Yes, I was in Athens and he was in California.

RICK TOONE: Could you hear each other during recording?

KILLICK HINDS: I played to the movie first. Then Henry played to my audio and the movie.