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Killick is channeling broad influences even in this short piece. I hear shades of Jackson Pollock, Brian Eno, and David Lynch in a mesmerizing blend of creativity and spontaneity. Hats off to this moment of brilliance! (@ShinMadero via YouTube)
Killick is channeling broad influences even in this short piece. I hear shades of Jackson Pollock, Brian Eno, and David Lynch in a mesmerizing blend of creativity and spontaneity. Hats off to this moment of brilliance! (@ShinMadero via YouTube)
Fabio Mittino continues to record and produce music with exceptional production values and attention to detail. This is an extraordinary achievement for an independent artist creating in an ultra-specific solo electric guitar instrumental niche. Managing writing, recording, touring, travel, video production, and record label responsibilities is a massive project.
Fabio, thank you for all that you do — we see you — we appreciate you!
I love the testimonial (below) from Ahmad Jamal. Increasingly over the past several years, my personal listening time is deeply immersed in jazz recordings from the 1950’s and 1960’s. That was such an astonishing period of musical achievement. The improvisational skill of those musicians is difficult for us to fully comprehend today, because we live in an era where artistic output is shaped primarily in post-production, during the editing process. There was a decade or so when virtuosic playing enmeshed with spontaneous composition, often performed and recorded live: one take, first pass.
Ahmad Jamal was a master in that genre, and I am sad to learn of his passing earlier this year. As the cosmic winds scatter our ashes, may your fingers eternally tickle the celestial ivories, my friend.
PROMO: Catch Fabio Mittino live Sunday, June 25, 2023 at Kennedy Martin Stelle Farmstead, Basking Ridge, New Jersey.
Coastal air off the Atlantic seeps in under Sandy Hook, slyly flirting with Navesink River dampness, the extended New York metro tang of NJ Turnpike combustion and chemical refineries. Onshore, offshore. Giants to the north, Eagles to the south. Manhattan commuters. Money.
Chris Buono will flit through this mist, reaching up with (funk you) Jersey Attitude™ to grab Big Apple brass and polish it against shore prog rhythms. Triumph Brewing Company, Red Bank, New Jersey is our venue, as he prepares to take onstage residency for the next several months.
Risk is real…
He’s coming in cold, struggling—rehabilitating—excruciating left arm pain via pinched nerves in his spine. This band is total raw bar, two hours of rehearsal and digital chord charts as guidance through an improv jazz wilderness marshland.
Chris debuting two new guitars I built for him: his custom multiscale fretless “Fragile” and “Green Monster” who is also holding my tremolo. Cody McCorry is playing another build so fresh the finish is still drying: “Orchid” bass. New and unfamiliar instruments for both of these masterful players. And a chance to capture their sounds live, in the wild.
We are in this together. Tonight is opening night.
With the recording, I am seeking to capture the village vanguard intimacy of Bill Evans. Snapshot this moment. Band banter. Audience chatter, barstools and glasses. 1961 turns 2022. Killick Hinds beautifully brings his touch to the mixing and mastering. Deeply grateful we had this opportunity to work together.
Credits:
Chris Buono — music & guitar
Anibal Rojas — synth sax
Cody McCorry — bass
Faye Fadem — drums
Killick Hinds — mixing & mastering
Rick Toone — recording & production
“If I died right now I would want you to show the world ‘Raining Caterpillars’ and say this what I truly sounded like when I was dialed in. For that I’m indebted to you both.” (Chris Buono)
Hi Rick,
I hope this email finds you well. I wanted to reach out (after way too long) and just mention that I really was moved by your recent blog post about Ede’s passing and your friendship.
I discovered him when he was demoing one of your guitars and became an instant fan of his music. (I wish there was more!) When I reached out to him to tell him, he was gracious, friendly, and very complimentary of you and your instruments.
I hope that you are doing well. I recently watched the videos that we filmed at UNH and always love hearing Cupid!
All the best,
David
So good to hear from David.
I’ve flown the flag at half-mast since Ede Wright’s passing, but if his spirit were to appear in my shop, his first words would be: “Look forward.”
Ede’s death was a tragic and unnecessary side effect of the greater cultural-psychological illness that has swept through our society these last two years. Like every scorched earth event though, green shoots appear in the aftermath.
True friendships have grown stronger. Dead wood has burned away. Autumn leaves are peak color, birds calling these final moments of sunlit warmth. Blame my errors on my youth.
Chris saw me walking through the open glass doors of Triumph Brewing Company in Red Bank, New Jersey.
“Green Monster…? Let’s do it.”
Chris had only played Green Monster for a few minutes, a month prior. Keep in mind he did not know I was coming. Did not know I would bring the guitar. And he was unfamiliar with this latest prototype of my new Pisces™ trem design. (patented & multiple patents pending)
No time for a soundcheck. Gig started in ten minutes. Jedi Master test pilot mindset.
“Pisces™ trem is like no other. I am constantly discovering new whammy phrasing.” (Chris Buono)