Live @ Triumph Brewing Company

IMAGE: Full-length live album is in the works. Read on…
VIDEO: Rehearsal on December 6, 2022. Chris Buono fretless guitar & music. Cody McCorry bass. Anibal Rojas sax. Faye Fadem drums. Fretless guitar and Orchid bass built by Rick Toone.

Coastal air off the Atlantic seeps in under Sandy Hook, slyly flirting with Navesink River dampness, the extended New York metro tang of NJ Turnpike combustion and chemical refineries. Onshore, offshore. Giants to the north, Eagles to the south. Manhattan commuters. Money.

Chris Buono will flit through this mist, reaching up with (funk you) Jersey Attitude™ to grab Big Apple brass and polish it against shore prog rhythms. Triumph Brewing Company, Red Bank, New Jersey is our venue, as he prepares to take onstage residency for the next several months.

Risk is real…

He’s coming in cold, struggling—rehabilitating—excruciating left arm pain via pinched nerves in his spine. This band is total raw bar, two hours of rehearsal and digital chord charts as guidance through an improv jazz wilderness marshland.

Chris debuting two new guitars I built for him: his custom multiscale fretless “Fragile” and “Green Monster” who is also holding my tremolo. Cody McCorry is playing another build so fresh the finish is still drying: “Orchid” bass. New and unfamiliar instruments for both of these masterful players. And a chance to capture their sounds live, in the wild.

We are in this together. Tonight is opening night.

With the recording, I am seeking to capture the village vanguard intimacy of Bill Evans. Snapshot this moment. Band banter. Audience chatter, barstools and glasses. 1961 turns 2022. Killick Hinds beautifully brings his touch to the mixing and mastering. Deeply grateful we had this opportunity to work together.

Credits:

Chris Buono — music & guitar
Anibal Rojas — synth sax
Cody McCorry — bass
Faye Fadem — drums

Killick Hinds — mixing & mastering
Rick Toone — recording & production

“If I died right now I would want you to show the world ‘Raining Caterpillars’ and say this what I truly sounded like when I was dialed in. For that I’m indebted to you both.” (Chris Buono)

VIDEO: (Audio only) live recording of “Raining Caterpillars” @ Triumph Brewing Company on December 8, 2022. Orchid bass and Green Monster guitar are the duet heard here.

Sea Monster

IMAGES: Swamp ash, quarter-sawn one piece AAA flame maple. Advantage™ neck profile. Polished stainless steel frets. Carbon fiber. Precision machined components from aircraft aluminum and stainless steel. DiMarzio noiseless pickups designed by Steve Blucher.
PHOTO: Sea Monster Pisces™ 6-string guitar.
VIDEO: Overview introduction of the new tremolo system.

Birdseye Pisces

VIDEO: Requiem for Jeff Beck. He was one of my first and deepest influences. Birdseye Pisces™ with the new tremolo through Fender Deluxe ’64 handwired reissue (SM57 > Logic).

Hi Rick!

I played Birdseye Pisces for a good 3 hours last night — and what can I say — you’ve knocked it out of the park.

I am pretty sensitive to the tactile feedback on my picking hand while I pick the strings, and this guitar is absolutely spot on where I like it – a good ‘bouncy’ sensation as I pick, notes ring out for days and have a nice ‘bloom’ to them, palm mutes also have that nice percussive sound and feel, and overall the strings feel rubbery/velvety when my plectrum makes contact with them as opposed to feeling metallic/harsh as with some other guitars I’ve had. 

Some other key points — 
The guitar is comfortable and light.
The figuring on the neck is insane! Pics don’t do it justice! Same thing goes with the paint job — the textured look is very inviting indeed.

The new trem — where to start…from a pure aesthetic point of view, it’s pretty small and compact and not overbearing to look at like say Evertune. The surface finish of the components looks really good — love the black anodized look of the hardware. Trem arm is very light and minimal. I was not an industrial design major but have a few friends who were and I can appreciate that a lot of thought went into the design of each component. I am engineer by profession and love when I see a product where every design choice has a great ‘why’ for its existence (as we often say at my workplace…best part is no part). I am sure that over the months I will discover more nuggets of great design choices.

Now for the sound and playability — the trem is like butter. Zero effort needed, no tuning issues. It’s a perfect mechanical whammy! I also love how out of the way it is when I remove the trem — it basically feels like a fixed bridge, I can rest my palm on it without it moving on me unexpectedly which is awesome and unlike Floyd Rose bridges for example.

Moving on to the neck — very comfortable. The advantage profile is very discrete while playing — completely out of the way for the most part, yet is present when you really need it (while playing some lead lines or weird chords for example). I’ll likely adjust my playing style a bit to optimize more for the neck profile and really reap the ergonomic benefits. This will happen naturally as my body adjusts itself to this guitar after playing the other guitars I own.

The sound — incredible, punchy, quiet, and most importantly all pickup positions sound great. This is truly magnificent, because with my other guitars either the bridge or the neck sounds good with a certain amplifier setting, never both. Your description previously was spot on – single coil and thickened single coil tones, definitely not a humbucker, but so far it feels like the best of both worlds. I feel like over the next month or so I’ll have a better sense of the sound of this guitar as I play it through different amps.

I usually reserve judgment on any new guitar for at least a month as I believe there is an adjustment period for my body to get used to the changes, but i couldn’t resist given how immediately this guitar opened up to me. I am sure that in a month’s time I’ll have more nuanced findings and I’ll share those thoughts with you.

TLDR: I absolutely love this guitar, it truly feels like a purpose built machine, and I catch myself feeling like I want to grow old with it — I want it take on some natural wear patterns and be played a lot. I’d like to look back many years from now and view this guitar like how people relish a great original 60s strat today. Most importantly — I want to compose some nice music with this beast, and I’m looking forward to what it brings out of me over the next few weeks, months and years! (Tejasvin)

VIDEO: Overview of the new tremolo system.
PHOTO: Pisces™ patented trem precision machined from aircraft aluminum and stainless steel (additional patents pending).
PHOTO: Advantage™ neck profile. Beautiful AAA birdseye maple neck. Alder body. Carbon fiber pickguard. DiMarzio™ noiseless single coils designed by Steve Blucher.
VIDEO: Steve Sjuggerud coaxes harmonics from the neck pickup of Birdseye Pisces™ guitar.

Green Monster

VIDEO: Chris Buono rocks sixty seconds of Green Monster. SM57 against the tweed of a ’64 Deluxe Reverb re-issue straight into Logic.
PHOTOS: Swamp ash, AAAA one-piece flame maple neck, carbon fiber, aircraft aluminum. Steve Blucher’s exceptional (noiseless) DiMarzio pickups.
VIDEO: Twenty minutes from the end of the night, wrapping up the second set after two hours onstage. cB3 is an amazing trio…the level of musicianship is worth the drive: Chris Buono, Ben Stivers, Tobias Ralph.

Chris saw me walking through the open glass doors of Triumph Brewing Company in Red Bank, New Jersey.

“Green Monster…? Let’s do it.”

Chris had only played Green Monster for a few minutes, a month prior. Keep in mind he did not know I was coming. Did not know I would bring the guitar. And he was unfamiliar with this latest prototype of my new Pisces™ trem design. (patented & multiple patents pending)

No time for a soundcheck. Gig started in ten minutes. Jedi Master test pilot mindset.

“Pisces™ trem is like no other. I am constantly discovering new whammy phrasing.” (Chris Buono)

VIDEO: Overview introduction of the new tremolo design.

Daffodils | Killick Hinds & Rick Toone | Duet

VIDEO: Spring duet featuring Killick Hinds & Rick Toone. Three instruments invented by Rick Toone: 8-string fretless guitar, Symbiote 8-string passive resonator, 6-string Spearfish™ guitar equipped with prototype Pisces™ tremolo. Killick on 8-string fretless and Symbiote. Rick on 6-string tremolo guitar. Listen on headphones or monitors.

What did fine arts painting look like at the moment of Picasso?

Killick Hinds has a significant history of recording with some of the most interesting artists. Players who are pushing limits and exploring boundaries.

Yesterday, I asked him if he wanted to record something together. I truly don’t believe you can fully understand Killick’s genius until you actually work with him.

The interplay of Killick’s 8-string you built and the great range of the tremolo is very exciting. Your playing is exciting, love diving the vibrato at the end of a phrase — reminds me of cutting the power on a tape machine. Reminds me of Xenakis textural language. Excited to hear more of it and see how that thing is working!” (Andy Pitcher, StringJoy)