Reworked Sunburst Strat
Video
NAMM 2025
Tim Mills (founder of Bare Knuckle Pickups) was kind enough to invite me to display at their booth again this year. Two of my builds will be at the show. Gabriel Levi earned his return spot as well, and will be delighted to give you a test flight on these awesome guitars.
BARE KNUCKLE PICKUPS (BOOTH 5737)
Tim’s personal RICK TOONE ’67 is wired with Bare Knuckle ’63 Veneer Board set with ‘RWRP’ mid coils and zinc plated steel baseplate on the bridge coil. Custom BKP 280K pots -‘A’ taper for vol and ‘J’ taper and Vitamin Q 0.022ufd PIO cap. Tim’s guitar features the patented RICK TOONE ’67™ tremolo which brings revolutionary pitch bend performance (and is a direct retrofit) to the classic standard Stratocaster™ body routes.
Gunslinger Pisces™ is wired with Bare Knuckle PolyMath pickups designed by Tim Mills and Nolly Getgood. Freeway 10-way switching brings out all the delicious coil splits plus humbucking tones. Gunslinger features the leading edge patented RICK TOONE PISCES™ multi-scale capable tremolo.
Gunslinger
More and more, I’m going retro. Touch the real world. I’m contemplating a flip phone. Analog has benefits.
I got a library card.
Zane Grey fills half a long shelf. Writer of westerns, a hundred years ago. Many of the books have not been checked out in fifty years. There is a wonderful smell to old paper and ink, spines that crack slightly with gentle opening.
1873 was within living memory when Grey was writing. Homesteaders, miners, ranchers, rustlers, prostitutes, lawmen. Winchester lever action. Claim a piece of land and pass your genes to the next generation. If you fail at the mating dance…there’s always the profession of gunslinger.
belt hangs heavy
steel against my hip
glint of brass
polished shells
checkered walnut gripthe hammer click
acrid stench of cordite
spaced between heartbeatsout here
the sun will take your breath
this trickle down the spine
reminder of slow deathsomewhere a crevice
in a canyon
flowing cool and clear
wellspring of precious water
help a man to heal
wash the blood from his hands
Neck Over Strings Pickup
“Fred Frith in the UK and Hans Reichel of Germany were the pioneers of the pickup over the strings at that end of the neck in the 1970’s.” (Henry Kaiser)
Killick Hinds & Adam Wilson
Have a listen to the recording above.
That’s the unedited raw audio, exactly how it sounded to us in my studio, as Killick and Adam played live. Think of it like a documentary. No EQ or compression. FM9 + Noble DI > Logic = as heard through NS-10s.
Duet guitars are Wingspan 6 and my personal Strat equipped with a prototype RICK TOONE ’67 tremolo.
The playing is extraordinary. Completely unrehearsed live improvisation for five and a half minutes, exchanging guitars halfway through the session, giving each a turn with both instruments. The performance is so compelling, as they listen and respond to one another.
I asked Killick if he would be willing to master the recording. What he created using the “documentary” mix above is quite fascinating…mastering as a creative act: https://killick.bandcamp.com/album/play-purview-a-digisingle-signal-in-stereo
A gathering of friends under sunny skies. We hit record and talked and laughed and marveled. Adam and I got to try on new guitars and new timbres like tailored crystalline cloth. From undifferentiated exploration these precious snippets fell into the grand cosmic lap, a glimpse into insight and telepathic conversation on the subtlest of levels. A very inspiring and elucidating day! (Killick Hinds)
Perfect indulgence for a guitarist: spending an afternoon with Rick Toone and Killick Hinds, doing nothing but talking about and playing guitars. Highlight for me was getting to play “Wingspan” — three things stood out about the instrument: (1) the unparalleled harmonic richness of the instrument (meaning natural harmonics can be played in places on the neck that only produce dead thunks on most other instruments…plus the strength of the upper partials when plucking strings is equally remarkable), (2) the immense timbral palette afforded by the electronics, and (3) the incredible ergonomic design, particularly the balance of the guitar. Having played many of Rick’s guitars, and being lucky enough to own a couple of them, I see the elements that he’s been refining for years finding their culmination in this machine. Devoid of any hyperbole, Wingspan is the finest guitar I have played. (Adam Wilson)
