Hi Rick!
I played Birdseye Pisces for a good 3 hours last night — and what can I say — you’ve knocked it out of the park.
I am pretty sensitive to the tactile feedback on my picking hand while I pick the strings, and this guitar is absolutely spot on where I like it – a good ‘bouncy’ sensation as I pick, notes ring out for days and have a nice ‘bloom’ to them, palm mutes also have that nice percussive sound and feel, and overall the strings feel rubbery/velvety when my plectrum makes contact with them as opposed to feeling metallic/harsh as with some other guitars I’ve had.
Some other key points —
The guitar is comfortable and light.
The figuring on the neck is insane! Pics don’t do it justice! Same thing goes with the paint job — the textured look is very inviting indeed.The new trem — where to start…from a pure aesthetic point of view, it’s pretty small and compact and not overbearing to look at like say Evertune. The surface finish of the components looks really good — love the black anodized look of the hardware. Trem arm is very light and minimal. I was not an industrial design major but have a few friends who were and I can appreciate that a lot of thought went into the design of each component. I am engineer by profession and love when I see a product where every design choice has a great ‘why’ for its existence (as we often say at my workplace…best part is no part). I am sure that over the months I will discover more nuggets of great design choices.
Now for the sound and playability — the trem is like butter. Zero effort needed, no tuning issues. It’s a perfect mechanical whammy! I also love how out of the way it is when I remove the trem — it basically feels like a fixed bridge, I can rest my palm on it without it moving on me unexpectedly which is awesome and unlike Floyd Rose bridges for example.
Moving on to the neck — very comfortable. The advantage profile is very discrete while playing — completely out of the way for the most part, yet is present when you really need it (while playing some lead lines or weird chords for example). I’ll likely adjust my playing style a bit to optimize more for the neck profile and really reap the ergonomic benefits. This will happen naturally as my body adjusts itself to this guitar after playing the other guitars I own.
The sound — incredible, punchy, quiet, and most importantly all pickup positions sound great. This is truly magnificent, because with my other guitars either the bridge or the neck sounds good with a certain amplifier setting, never both. Your description previously was spot on – single coil and thickened single coil tones, definitely not a humbucker, but so far it feels like the best of both worlds. I feel like over the next month or so I’ll have a better sense of the sound of this guitar as I play it through different amps.
I usually reserve judgment on any new guitar for at least a month as I believe there is an adjustment period for my body to get used to the changes, but i couldn’t resist given how immediately this guitar opened up to me. I am sure that in a month’s time I’ll have more nuanced findings and I’ll share those thoughts with you.
TLDR: I absolutely love this guitar, it truly feels like a purpose built machine, and I catch myself feeling like I want to grow old with it — I want it take on some natural wear patterns and be played a lot. I’d like to look back many years from now and view this guitar like how people relish a great original 60s strat today. Most importantly — I want to compose some nice music with this beast, and I’m looking forward to what it brings out of me over the next few weeks, months and years! (Tejasvin)
Video
Blame It On My Youth
Hi Rick,
I hope this email finds you well. I wanted to reach out (after way too long) and just mention that I really was moved by your recent blog post about Ede’s passing and your friendship.
I discovered him when he was demoing one of your guitars and became an instant fan of his music. (I wish there was more!) When I reached out to him to tell him, he was gracious, friendly, and very complimentary of you and your instruments.
I hope that you are doing well. I recently watched the videos that we filmed at UNH and always love hearing Cupid!
All the best,
David
So good to hear from David.
I’ve flown the flag at half-mast since Ede Wright’s passing, but if his spirit were to appear in my shop, his first words would be: “Look forward.”
Ede’s death was a tragic and unnecessary side effect of the greater cultural-psychological illness that has swept through our society these last two years. Like every scorched earth event though, green shoots appear in the aftermath.
True friendships have grown stronger. Dead wood has burned away. Autumn leaves are peak color, birds calling these final moments of sunlit warmth. Blame my errors on my youth.
Green Monster
Chris saw me walking through the open glass doors of Triumph Brewing Company in Red Bank, New Jersey.
“Green Monster…? Let’s do it.”
Chris had only played Green Monster for a few minutes, a month prior. Keep in mind he did not know I was coming. Did not know I would bring the guitar. And he was unfamiliar with this latest prototype of my new Pisces™ trem design. (patented & multiple patents pending)
No time for a soundcheck. Gig started in ten minutes. Jedi Master test pilot mindset.
“Pisces™ trem is like no other. I am constantly discovering new whammy phrasing.” (Chris Buono)
Wingspan Reptile 8
Your work of art arrived at my doorstep this morning!
Although I’ve only had a few hours to get to know it, here are a few things I can say right away, in the order they came to me:
This is not a guitar, this is a sculpture, a work of art — visually it is stunning, and it felt right away comfortable to hold and play.
The neck is extremely comfortable — it is quite impressive how playing the low strings is much easier than with my other 8-strings.
I’ve never experienced such precision of the note attack and clean sustain — the best way I can describe them is piano- or bell-like, with excellent consistency between fretted and open strings.
Thank you so much for creating such a beautiful instrument!! (Jorge)
Kanashimi | Fabio Mittino
Dear Rick,
I would like to share with you my new composition from the album “Simple Music for Difficult People Vol.4”.
I think this song expresses both love and melancholy. For this reason, I titled it “Kanashimi”, which in Japanese usually means sadness. However, if Kanashimi is written 愛しみ instead of 哀しみ, it means love.
Everything is played in real time!
I’ll be touring the West Coast this July, but I’ll be on the East Coast this winter: I hope to be able to meet you again!
Love,
f