I’m in love with it. The tremolo system is incredible. Can’t knock it out of tune. Been playing this thing all night. It’s really something special. Holy shit this guitar is fun. (Joe Cirotti)
Gilmourish
Black & White
Just in time for Halloween, two instant gratification Treats.
These two lovely RICK TOONE ’67’s have been flying quietly behind the scenes, but have landed here at the shop momentarily and are available.
If you aspire to next generation tremolo virtuosity whilst also seeking the familiar contours of Leo’s most famous work…this is your moment.
Purchase individually, or as a pair if you are a touring pro.
Wingspan 6 | Ares
Colors
Killick Hinds & Adam Wilson
Have a listen to the recording above.
That’s the unedited raw audio, exactly how it sounded to us in my studio, as Killick and Adam played live. Think of it like a documentary. No EQ or compression. FM9 + Noble DI > Logic = as heard through NS-10s.
Duet guitars are Wingspan 6 and my personal Strat equipped with a prototype RICK TOONE ’67 tremolo.
The playing is extraordinary. Completely unrehearsed live improvisation for five and a half minutes, exchanging guitars halfway through the session, giving each a turn with both instruments. The performance is so compelling, as they listen and respond to one another.
I asked Killick if he would be willing to master the recording. What he created using the “documentary” mix above is quite fascinating…mastering as a creative act: https://killick.bandcamp.com/album/play-purview-a-digisingle-signal-in-stereo
A gathering of friends under sunny skies. We hit record and talked and laughed and marveled. Adam and I got to try on new guitars and new timbres like tailored crystalline cloth. From undifferentiated exploration these precious snippets fell into the grand cosmic lap, a glimpse into insight and telepathic conversation on the subtlest of levels. A very inspiring and elucidating day! (Killick Hinds)
Perfect indulgence for a guitarist: spending an afternoon with Rick Toone and Killick Hinds, doing nothing but talking about and playing guitars. Highlight for me was getting to play “Wingspan” — three things stood out about the instrument: (1) the unparalleled harmonic richness of the instrument (meaning natural harmonics can be played in places on the neck that only produce dead thunks on most other instruments…plus the strength of the upper partials when plucking strings is equally remarkable), (2) the immense timbral palette afforded by the electronics, and (3) the incredible ergonomic design, particularly the balance of the guitar. Having played many of Rick’s guitars, and being lucky enough to own a couple of them, I see the elements that he’s been refining for years finding their culmination in this machine. Devoid of any hyperbole, Wingspan is the finest guitar I have played. (Adam Wilson)
