Goshawk | Jazz Guitar Today Magazine

Screen on my phone illuminated. Incoming call: Bob Bakert. Bob is editor of Jazz Guitar Today based in Atlanta, GA. The magazine features jazz scene and instruments more traditional than avant-garde, so it was a pleasant surprise when they decided to do a feature on Goshawk™ 6-string guitar. Ede Wright and Bob Bakert had connected locally, and Bob fell in love with Goshawk’s design.

Bob was calling to tell me the article had just been published.

He’s an interesting person, athletic, fit, intelligent, actively playing (and pursuing) all things guitar since the late 1960’s. Our conversation drifted — as it quickly does — into music tangents. He was still aglow from a recent compliment where a well-respected industry insider told Bob he is an excellent musician. What was especially interesting was the follow-up comment: “Musician, not guitar player. Those are two different things.”

Many of us who play tend to bring a set of patterns (musical or thought) to the guitar, then attempt to fit those into the current context, possibly contextually appropriate. Approaching guitar as a musician, instead of as a player, happens when we lead with our ear instead of our skill set.

This is something I have noticed as well, and mentioned recently in the video interview with Mike Dawes. The difference seems based on the ability to listen. Really listen.

Mind still, and present in the moment, as Buddha would say.

jazz guitar today rick toone
IMAGE: Goshawk™ 6-string electric is featured in May 2019 issue of Jazz Guitar Today Magazine.

Video | Goshawk | Geoff Waldron

My friend Geoff Waldron is an excellent songwriter. When I asked him to put Goshawk™ 6-string through her paces — Nashville style — Geoff composed two absolutely gorgeous pieces of music. Some people just have the ear…check out his playing.

Holy Moly!!

What an instrument! The box had no dents or damage and the guitar arrived safe and sound without a scratch. Still perfectly in tune and ready to play!

The guitar flat out feels like a beautiful woman… like touching the skin of a supermodel when I touch your guitar. The most amazing neck… I can’t even believe it.

You have a fine eye for detail… I should be so lucky to be working with such an accomplished artist such as yourself.

Truly an awe inspiring work of fine craftsmanship.

Truly makes my guitar collection seem like haphazardly constructed hunks of wood and metal. (Geoff Waldron)

VIDEO: Geoff Waldron demos Goshawk™ guitar.

Live | Arto Artinian, Killick Hinds & Adam J. Wilson

Live at the 2019 NYC Electroacoustic Improvisation Summit at New York City College of Technology. Both guitars are fretless (multiscale). Adam J. Wilson on fretless Spearfish™ 6-string. Killick Hinds on Walrus 6-string. Arto Artinian is playing a Haken Continuum surface.

Prior to this live performance, the trio recorded Body Systems studio album.

Besides the three of us, we’re improvising with some software I wrote, an algorithmic agent I’ve taken to calling “Skronkbot.” Skronkbot is always listening and always playing; when I press pedals on my pedalboard, I’m turning Skronkbot’s output on and off and directing it to use different synths and samplers. (Adam J. Wilson)

One of the ways I approach playing with Adam & Arto is to activate densities wrapped in a web of harmonic infinity…something like lungs filling to steady the next exhalation. There’s an unceasing propulsive quality from the sum of three people (plus robot!) inserting pantonal panrhythmic melodicisms with consummate attention towards making the group soup a good eat. This is a truly a fretless trio: fret less and listen more. It’s always a pleasure to work with these beautiful souls and adept technological marvels who too have their own say. (Killick)

Video | Goshawk | Ede Wright

VIDEO: Ede Wright gets intimate with Goshawk™ 6-string in natural finish. The guitar fits him so well…watch with the sound off and you can really appreciate how he gets lost in the music.