Andre did a superb job not only explaining all the unique features of the guitar but also walking through the tones in a way that allows the listener to really digest what they’re hearing.
The note separation between bass and treble strings really stands out. It’s almost like hearing two individual guitars.
Polymath’s mid-range delivery is very much the foundation of the tone coupled with lots of dynamic headroom (no real surprise with Polymaths being the signature set of Nolly Getgood who’s one of my closest friends and arguably one of the best mix engineers in the world right now).
Dialing in the mid-range response was key to the design of Polymath and something we worked very hard on so that tonally they would sit perfectly in the mid-field, which in turn allows for extension in the bass and the highs to retain attack without sounding sharp or lacking in weight. This all comes across extremely well in the video presentation by Andre.
For sheer all round tonal flexibility and also suitability to Spearfish’s unique design features, the Polymath really is an excellent set. Throw in the further versatility of the 10-way switch and there’s virtually no limit to the tones you can create. (Tim Mills, Bare Knuckle Pickups)
Testimonials
2024 NAMM Report
Q: What was the reaction to Spearfish?
A: Overwhelmingly positive and mostly pure shock. In a very oversaturated guitar market (especially evident at the NAMM show) it’s cool to see when a name lives up to its hype. The neck is of course a major selling point of the Spearfish and is an instant conversation starter. It reeled people in to learn more about the guitar…it grabs attention and sparks interest in ways a traditional neck wouldn’t. The International Orange finish totally shook people and was clearly visible amongst the noise at NAMM. The reaction to the FreeWay 10-way switch was GREAT. It almost adds another layer of value and individuality to the guitar. It gives the impression that the guitar is infinite (rightfully so). A lot of folks came out to see your guitar. None left disappointed and I was so happy to see it all go down!
Q: What did people like best about Spearfish?
A: THE NECK. The neck. It really is the selling point of this guitar and the feature most people want. Very unique but extremely playable and functional. “Effortless” is a word that kept coming up. People noticed the balance and ergonomics of the instrument. It does an excellent job of comfortably adhering to your body as you play. The International Orange finish sort of spoke for itself…it was a great display of the depths you’re able to go. People loved it. Another thing people loved? That headstock. It’s really sick.
Q: What did they like least about Spearfish?
A: The neck. HA! Just kidding…but in all seriousness, it is the one thing that threw a small number of people off. I will say for 99% of skeptics, this wore off quickly. It does not surprise me that something of this nature would throw off a more traditional player. It’s a massive sea change when you first try it out, but the benefits quickly become evident. The only other thing I can think of (which wasn’t necessarily a dislike) was the extra space on the fretboard room on the high E-string side. Most players were not used to being able to pull the string in a downward motion on the high E string, and I think they weren’t used to feeling fretboard under their hands on that side on the neck. It was an interesting observation because I’m SO used to the Element neck at this point, but I understand — because if I pick up a Telecaster, I find myself falling off the high E-string side more than I’d like to admit. Ha! I think it’s a cool part of the guitar that I personally love, but something I did get feedback on.
EDITOR’S NOTE: Fretboard Flare™ is the geometric feature included in the patented Element™ neck.
Q: What did you learn regarding how people perceive my work?
A: You are definitely an elusive creature in the guitar world, so watching people try your guitars is like witnessing man discover fire. It is interesting because as far as I can tell, you’re not worried about marketing and shoving your name down peoples throats. You just make real evocative art and it resonates. Word of mouth is still alive and well when it comes to art that people feel the need to share, and seeing this cult-like following towards your work is inspiring. DIY to the max.
Q: Did you make any connections to help your career?
A: Oh man. Where do I begin? First of all, thank you for the Bare Knuckle Pickups relationship that you started. They were amazing people and it was a gift to help represent a brand that I have been a proponent of for so long. I confirmed a big project with Neural DSP that will be taking place within the next few months. I secured an artist deal with Happy Cable Company which are making some really high quality cables. They’ll be helping me with cable needs for the wireless packs we use on stage and cables here in the studio. Steve linked me up with an entire hotel room of guys that totally rocked my world with emerging technology for guitar. I like to go deep with the Fractal Audio units and utilize things like automated preset/scene changes via MIDI, and to see what’s possible when it comes to using the guitar as a controller blew me away. If this can become optimized, it would be a total game changer for live performance. I think we’re officially in the future! I met SO many people and there is a lot that I’m leaving out, but it was without a doubt the most fruitful NAMM experience to date. Thank you for putting me in a position to make these new connections and plant many seeds. I will forever be grateful to you my friend!
IMAGE (below): Tim Mills demonstrates why he has successfully built a world-class business.
RICK TOONE ’67 Review
A Few Years On
It’s magical to hear from clients who have been playing these guitars for a few years. I sometimes feel overwhelmed with gratitude having been able to walk this path in life, connecting with kind, thoughtful, amazing people from around the globe. I deeply appreciate your letters and notes…
Hi Rick,
I just wanted to say hello send a quick note in appreciation of the wonderful instrument you made for me four years ago.
I have quite a sizable guitar collection, and as I was going through the inventory in search of a downsize, I evaluated all my «babies» and compared them side by side. I play a lot of different styles all from classic finger style, fusion, prog-rock, ballads, C&W, R&B. I don’t use a pick, thus the instruments pick-up sensitivity and capacity of modulating sound frequency is important to me.
The Goshawk is a Chameleon. There is virtually no sound drop-off in coil splitting. The tone knob is extremely versatile. And the volume knob is really a gain knob instead of increasing overall volume (that would not be desirable) it just adds more grit. I love that balance point just before it breaks up. I want the tooth to come out, but with a bit of delicious pain first.
The bird you made stands out in the crowd, and as I played through the bunch of pretty high end guitars made by some of the best luthiers on the planet, I plugged the Goshawk back in time and time again, just to find that it could replicate and surpass pretty much any other guitar, it be a tele, a strat, a whatever. Adding on superb ergonomics and playability, I am pretty sure this ranks as one of the most desirable guitars on the planet from a player’s perspective. And it made me think, what will I do if anything happens to it?
You’re a living Picasso Luthier, Rick.
I can picture my self in old age, hair and muscles all gone, skin dry and wrinkled, just sitting in the still of the night, noodling on my Goshawk. This bird is not going anywhere without me.
All the best to you and kind regards,
Carl (Norway)
From the snowy forests of Norway to the lush soils of Hawaii — speaking of: Dave Anderson sent me a care package recently including some locally grown single source estate coffee from Kauai. I am enjoying a cup now, which explains why autocorrect is getting a morning workout. Dave also filmed this pretty spectacular review demo of his American Girl Goshawk…
Hey Rick,
I just did this video demo’ing American Girl. Please tell me what you think and if you dislike anything about it I’ll yank it in a Jersey second. The video realm is totally new turf for me, so don’t hold back.
I’m finally getting around to finished wiring of studio things as time allows, then I intend to post some “super-sonic” demos in full audio bandwith, using studio guys that’ll hopefully knock some socks off.
I hope you’re doing well. I LOVE American Girl. Thanks again Paisano!
Aloha,
Dave (Hawaii)
Gabriel Levi Plays Sketch
Gabe!! That guitar is magic and you’re just the right magician! (Chris Buono)