KILLICK HINDS: I ran the fretless eight string to the Schroeder DB7 with a volume pedal (that I seldom used). I also subtly added sustain with a Gamechanger Plus pedal and Collision Devices’ Black Hole Symmetry in its effects loop. The main signal was split before these pedals, with one half going to a volume pedal and then activating Plogue’s Chipsounds via Jam Origin’s MIDI Guitar 2 in the computer. The Schertler piezo on Demi’s headstock ran into an Elite Acoustics StompMix mixer (which contributed occasional delay) into a Henriksen The Bud amp.
It was good working with Henry on this…our sensibilities match extraordinarily well. Playing with the video felt the closest to playing a concert since March.
I’ll add it was recorded with my cellphone against a makeshift green screen made of a picnic tarp and an old clothing rack. The assembly is not quite big enough for the task, so framing was a little tricky, but it worked out very well.
I’m really pleased to share this (as I know Henry is) and am very grateful he suggested the project. I thank Cuneiform Records for their continued support of new and exciting music. And most importantly, thanks to everyone for watching and listening.
RICK TOONE: Cool! He has software that works with green screen?
KILLICK HINDS: Yes, I think Final Cut Pro. I have iMovie and that works with it as well. This was my very first green screen experience.
RICK TOONE: Quite awesome. So you were in Athens and he was…?
KILLICK HINDS: Yes, I was in Athens and he was in California.
RICK TOONE: Could you hear each other during recording?
KILLICK HINDS: I played to the movie first. Then Henry played to my audio and the movie.